A Masterpiece of Understatement

It Seems You've Commited Murder, My Sweet

2012-01-04T11:48:00.000-06:00

MURDER, MY SWEET

Released: December 9, 1944
Directed: Edward Dmytryk
Starring: Dick Powell, Claire Trevor, Anne Shirley

Detective Phillip Marlowe (Dick Powell) has been hired by Moose Malloy (Mike Mazurki) to find his former girlfriend, Velma, a pretty, innocent, red head. Complications arise when Marlowe is hired as bodyguard to Lindsay Marriott, a gigolo of sorts. When Marriott is killed over a jade necklace, and Marlowe knocked unconscious, he refuses to let the case go. Each lead brings him closer to the truth, but who's Velma? What does she have to do with the necklace? Who was that girl in the middle of the woods? Is Amthor the connection to Moose, Velma, the necklace, and Marriott's death?
MURDER, MY SWEET is based off of Raymond Chandler's novel, Farewell, My Lovely. This being a film noir, it's hard to describe just exactly what's happening, but this is an incredible movie. Dick Powell, a song and dance man, is cast against type as Phillip Marlowe. And WOW, is he incredible. I think he's the best Phillip Marlowe I've ever seen. The characters are appropriately shady and you're definitely going to suspect everyone. The drug scene is pretty intense and a trip for the ages. A wonderful film. Glad I finally got around to watching it.

It's a long story and not pretty,
LW

I'm No Bachelor Mother

2012-01-01T20:13:00.000-06:00

BACHELOR MOTHER

Released: August 4, 1939
Directed: Garson Kanin
Starring: Ginger Rogers, David Niven, Charles Coburn

Polly Parrish (Ginger Rogers) is a salesgirl at John B. Merlin & Son who has just been fired because the holiday rush is over. Upset, Polly goes to several employment agencies, and witnesses a woman placing a baby on the front stoop of an orphanage. Afraid it is going to fall, she graciously picks it up, but is then thought to be the mother by the orphanage workers. Refusing to "acknowledge" the baby as her own, the workers track her down at her job and talk to her boss, David Merlin (David Niven). David, feeling bad for her, gives Polly back her job, a five dollar raise, and a "Christmas gift", which is of course, the baby back. A fella from work takes her to David's house and drops off the baby, who he thinks is the boss's kid. David returns the baby angrily and the two develop an unusual friendship. Polly and David, that is. Things are complicated when David's dad, John B. Merlin (Charles Coburn), thinks the baby is his grandson.
BACHELOR MOTHER is a wonderful film. I first "saw" the film on Lux Radio Theatre, then later I watched the remake: BUNDLE OF JOY. The remake is ok, but BACHELOR MOTHER is delightful. Ginger Rogers is gorgeous and very funny. As is David Niven, surprisingly. He's always so straight laced and it was great to see him be goofy and fun. Plus his impersonation of Roger's dancing is memorable, to say the least.

Ha ha,
LW

Most Definitely I Will

2011-12-30T18:46:00.000-06:00

I've been really murky with posts lately, mainly because Nov was my finals/thanksgiving break. And December is birthday/Xmas stuff.
So, this upcoming year I've decided to try to keep up. I'm kicking myself. Or rather, Priscilla Lane is kicking Cary Grant. But whatever.
I watch so many movies and then I get too lazy to write up what I think of them. Awful, I know. I have like ten saved posts that haven't been published. I will do better. I promise.

LW

This Here's A Magic Town

2011-12-18T21:24:00.000-06:00

MAGIC TOWN

Released: October 7, 1947
Directed: William A. Wellman
Starring: James Stewart, Jane Wyman

Lawrence "Rip" Smith (James Stewart) is an opinion pollster looking for the perfect town. The one town that mirrors the opinions of the entire nation. His polling company closes down, but before he's about to give up he finds a discarded telegram that answers his prayer. The town is Grandview, a wholly unremarkable town that's on the verge of change. Rip needs the town to stay the same and cuts down the idea proposed by Mary Peterman (Jane Wyman) to build a new civic center. The two become enemies, but that doesn't stop Rip from trying to get to know her. He and his team secretly poll the townspeople while posing as insurance salesmen. Rip, who's never really felt at home, quickly falls in love with Mary, the town, and the basketball team. Mary discovers Rip's secret and, being the acting editor, prints it in the newspaper. Rip asks her not to because he knows that no one, not even a nice town like Grandview, should be told they're special. Will Grandview disintegrate? Will Mary see the error of her ways? Will Rip and Mary get together? Will the civic center ever get built? Find out, and watch MAGIC TOWN.
This is a sweet little film. Probably not one of James Stewart's or Jane Wyman's most well known films, but it is a great picture. It has it's funny moments and touching ones. You might hate Wyman for a while, but that's because Mary isn't the brightest person in the universe. I always feel awful sorry for Rip. He tries so hard to make things right. There's basketball, headache powders, and insurance policies. Fun fact, this is one first movies released about the opinion polling, the newest science. It was also a commercial flop. But this little film is wonderful and it was the loss of many people who wouldn't come out.

I wanna see the editor of this imitation newspaper,
LW

There's Always The Muppet Movie

2011-12-14T18:55:00.000-06:00

THE MUPPET MOVIE

Released: June 22, 1979
Directed: James Frawley
Starring: Jim Henson, Frank Oz

Kermit the Frog sings Rainbow Connection in the swamp. Dom DeLuise (or Bernie the agent) persuades Kermit to go to Hollywood. He rides off on his bicycle and meets up with Fozzie Bear. They slowly accumulate, and meet, all the other Muppets, while trying to avoid Doc Hopper (Charles Durning) who wants Kermit to be the spokesfrog for his frog legs restaurant chain.
That is, in a nutshell the plot. Now considering it is a muppet film, and the first muppet film, it is zany, fun, and musical. There are many wonderful songs, including the ever famous Rainbow connection. You get to see and hear the muppets as they original were. Not to mention Rolf! I absolutely adore Rolf, and after Jim Henson past away, you don't really see him in films. In this one, he's got a pretty big(ish) part. THE MUPPET MOVIE breaks the fourth wall (if it didn't I'd be deeply depressed), makes several movie jokes, reads the script, and generally carry on. Not to mention cameos from some wonderful stars. I won't guarantee you'll love this movie. I absolutely adore the muppets. Always have, but there are some people without souls who don't like them at all. If you love the muppets and haven't seen the movie that started it all, then you're missing out. Then you should watch their other films. And show. And even the one that's in theatres now. Do it!

This is a narrative of very heavy duty proportions,
LW

I Can See It In The Milky Way

2011-12-12T15:11:00.000-06:00

THE MILKY WAY

Released: February 7, 1936
Directed: Leo McCarey
Starring: Harold Lloyd, Adolphe Menjou

Burleigh Sullivan (Harold Lloyd) is an shy and inept milkman. His sister, Mae (Helen Mack), is harassed by a drunken Speed McFarlan (William Gargan), the middleweight champ of the world, and his bodyguard/sidekick Spider Schultz (Lionel Stander). Burleigh attempts to stop them which results in Speed being knocked out. Speed's manager, Gabby Sloan (Adolphe Menjou), is terribly upset by this, especially when they see the small fellow that is Burleigh. He informs them that he didn't knock out Speed; Spider did. Burleigh then tells them how as a child he was always picked on so he learned how to dodge, bob, and weave. It's all in the footwork. Gabby gets an idea to make him a boxer but Burleigh refuses. Unfortunately, Burleigh gets fired from his job over his horse, Agnes. He needs the money and decides to take up boxing much to the dismay of his sister and girlfriend.
MILKY WAY was Harold Lloyd's most successful talkie. It has several funny bits, but I felt it relied more on dialogue from Lloyd, than actual action. You're a silent star Lloyd, don't try the talking business. Of course, I haven't seen much of Lloyd's work other than GRANDMA'S BOY. I suppose I like the idea of silent stars sticking to their element. In the world of sound, words don't have to be the cause, but the result. Anyways... this film is rather entertaining. However, having seen the 1946 remake, THE KID FROM BROOKLYN, starring Danny Kaye, I knew what was going to happen. I also found the remake far superior. Maybe it's my inevitable love for Kaye, or perhaps it's because I felt Lloyd could do better. Either way, they're both good films, but while this version ties the knots, the remake shows you how it was done. In other words, the story makes much more sense. Now I'm just rambling.

I'm delivering grade A milk, for better babies!
LW

Remember The Night

2011-12-10T21:58:00.000-06:00

REMEMBER THE NIGHT

Released: January 19, 1940
Directed: Mitchell Leisen
Starring: Barbara Stanwyck, Fred MacMurray

Lee Leander (Stanwyck) gets arrested for shoplifting a bracelet, right before the holidays. Assistant District Attorney, John Sargent (Fred MacMurray), who has never lost a case with a woman on trial, is sent in specially to prosecute Lee. Sargent, knowing she'll never be sentenced with holiday cheer in the air, postpones the trial until after New Years. Lee is forced to spend the holidays in jail, which tugs at John's conscious. He makes it so her bail is set. The bondsman takes her to his place and, still feeling guilty, takes her out to dinner. While there they run into the judge of their case. John also finds out that Lee is from Indiana, just like him. And since she has no place to go, he offers to take her home for the holidays. Great adventure is had in Pennsylvania and when they get to Indiana, Lee is given a cold reception by her mother. Feeling bad, John invites Lee to spend the holidays with him, his mother, aunt, and cousin at their house. But John's good nature won't let her stay without telling his mother (Beulah Bondi) about her.
REMEMBER THE NIGHT, is one of those Christmas movies that don't center around Christmas. It's mentioned the first half of the film, and then it passes and there are other things to attend to. This is also a film that caused me to spasm on the couch, fall off, and yell at the ceiling. It's so wonderful and I was so invested in it, that I was deeply upset when it ended. Maybe it was the ending. You'll have to decide. Fred MacMurray and Barbara Stanwyck are quite wonderful. I've never been much of a fan of MacMurray but after this film and THE HAPPIEST MILLIONAIRE, I'm sold. I suppose I've seen THE APARTMENT one too many times. If you have a heart, you'll root for our lovely Lee Leander and be as devoted to this story as I was. This was the last picture that Preston Sturges wrote before he started writing/directing. Sturges spent much time on set and reportedly told Stanwyck that he'd write a comedy for her, which he did: THE LADY EVE. A fantastic film. If you're extremely sensitive (unlike me), you might want a tissue box nearby. This is also the first of four movies that Stanwyck and MacMurray would star in.

That gag's so old it's got whiskers!
LW

This Is Some High Pressure

2011-12-09T09:50:00.000-06:00

HIGH PRESSURE

Released: January 30, 1932
Directed: Mervyn Leroy
Starring: William Powell, Evelyn Brent

"Colonel" Ginsburg (George Sidney) is looking for a promoter to start up a new company, manufacturing artificial rubber. Mike Donahey (Frank McHugh) knows the guy: Gar Evans (William Powell). Gar is a con man and refuses the deal until he finds out it's on the level. He names the company the Golden Gate Artificial Rubber Company and begins his project. Ginsburg is exasperated by all the demands, and more so by the demand of having Francine (Evelyn Brent) around. But Francine is sick and tired of Gar's lack of commitment and decides she's going to marry a South American. Without Francine, Gar won't go on. Not that he'll be able to, considering the scientist who figured out how to make artificial rubber from sewage, is missing.
HIGH PRESSURE is a very fast paced movie. If you leave for a second, you're bound to miss something. It's not awful, but it isn't particularly great. William Powell is wonderful, as usual. But the supporting players were all a bit dull and stereotypical. Frank McHugh gives a great performance, but then I was always taken with him, ever since I LOVE YOU AGAIN. Powell gives a riveting speech that'll have you hurrahing. It may get intolerable after a while, but Gar has a sort of cathphrase. He says something about a person and then says, "and you know there aren't that many around." You can just see it coming. Not the best written movie, but it's an entertaining late night movie.

If that's a little, I'd hate to see him drunk,
LW

Go To The Matchmaker

2011-12-07T16:11:00.000-06:00

THE MATCHMAKER

Released: August 12, 1958
Directed: Joseph Anthony
Starring: Shirley Booth, Anthony Perkins, Shirley MacLaine

Dolly Gallagher Levi (Shirley Booth) has made it her job to find a match for rich, yet crotchety Horace Vandergelder (Paul Ford). And although Vandergelder thinks that's what she's doing, Dolly is really planning on marrying Vandergelder himself. Vandergelder tells Dolly that he's planning on proposing to Irene Malloy (Shirley MacLaine), and in order to stop him, she shows him a photo of "Ernestina Simple." He bites the hook and decides to delay his proposal. He goes off to New York City and leaves his sales clerks, Cornelius Hackl (Anthony Perkins) and Barnaby Tucker (Robert Morse), behind. Cornelius itches for adventure and ropes Barnaby into playing hooky in New York City where they won't come back until they've spent all their money, almost get arrested, and kiss a girl - three times. The two spot Irene Malloy in her hat shop and it's love at first sight for her and Cornelius. What's gonna happen?
If you've seen HELLO DOLLY! then chances are you already know. But if you don't, then THE MATCHMAKER will be a gulp of fresh air. THE MATCHMAKER is a thoroughly delightful film, and much better than it's musical remake. Most of the young cast was just starting out in Hollywood and the two veteran actors are just superb. Shirley Booth gives a wonderful performance. The restaurant scene is just priceless and it really gives us a taste (no pun intended) as to Dolly's character. Anthony Perkins, who is perhaps the most adorable creature in the universe, is wonderful in this comedy. He was usually in dramas, and it's nice to see him let loose, particularly his pre-Norman Bates days. Robert Morse, who was the only original actor in the Broadway showing, plays innocent Barnaby Tucker. For those who've seen HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, you'll probably notice his Finchiness. I've never quite like Shirley MacLaine, but in this picture, I forget entirely that she's here. She is Irene Malloy. The movie does break the fourth wall on several occasions and borders on annoying, but not so much. It's actually quite nice once you realize it's going to be happening throughout the film. Especially when you get to Cornelius' monologue which is uber adorable. I really adore Anthony Perkins. A fantastic film. If you can help it, don't watch HELLO DOLLY!, either ever or not until afterwards. You'll note the differences and can judge which one you prefer. (I choose this one).

Good heavens, who else is under there?
LW

Come To The Double Wedding

2011-12-04T16:56:00.000-06:00

DOUBLE WEDDING

Released: October 17, 1937
Directed: Richard Thorpe
Starring: William Powell, Myrna Loy

Irene Agnew (Florence Rice) has dreams of becoming a Hollywood star. She and her fiance, Waldo Beaver (John Beal), have been sneaking out to see Charles Lodge (William Powell), an eccentric movie director. Margit Agnew (Myrna Loy), Irene's controlling older sister is completely shocked and upset by this news. Waldo is easily maneuvered and influenced by Margit which upsets Irene. She breaks off their engagement and convinces herself that she is infatuated with Charles. In order to keep Charles away from her sister, Margit agrees to sit for a portrait by Charles, much to Charles' delight. He tries to loosen up Margit and Margit tries to tighten him up. Could love be in the air?
You really can't go wrong with a Powell/Loy film, and I know I harp on it a lot. DOUBLE WEDDING is an enjoyable film despite the sad undertones of production. During filming, Jean Harlow passed away, whom Powell was engaged to. Production stopped for a few weeks. And although this picture most likely did not hold the best memories for both Powell and Loy, it is still a wonderfully funny film.

Don't think - you're an actor,
LW

The Ex-Mrs. Bradford Is At It Again

2011-12-02T20:21:00.000-06:00

THE EX-MRS. BRADFORD

Released: May 13, 1936
Directed: Stephen Roberts
Starring: William Powell, Jean Arthur, James Gleason

Paula Bradford (Jean Arthur), a mystery writer and ex-wife to Dr. Lawrence 'Brad' Bradford (William Powell), comes back from her world travels just in time to bother him with a recent death of a jockey. Brad thinks it's an accident, but when his pal Mike North tells him it's a murder, Brad is dragged into the investigation, despite that's why he and Paula got divorced in the first place. He does an autopsy on the jockey and finds a sample of gelatin on the body. The murderer, knowing that Brad is on his trail, kills North and leaves him, literally, on Brad's front step. The police conveniently come and suspect Brad of murder. Now in order to clear his name, Dr. Bradford must solve the jockey's murder, but not without help from his plucky ex-wife.
This was a highly entertaining movie. THE EX-MRS. BRADFORD is one those movies I've been waiting to see. Not only does it have William Powell, but also Jean Arthur. These two are just so funny together. The plot was very much like a THIN MAN picture, but then again RKO was trying to cash in on the popularity of those films. Very enjoyable, and to be perfectly honest, I didn't suspect the murderer at all, for basic reasons.

You're looking pretty healthy for a corpse,
LW

Come On Down To Holiday Inn

2011-12-01T20:03:00.000-06:00

HOLIDAY INN

Released: August 4, 1942
Directed: Mark Sandrich
Starring: Bing Crosby, Fred Astaire, Marjorie Reynolds

Jim Hardy (Bing Crosby), Ted Hanover (Fred Astaire), and Lila Dixon (Virginia Dale) make up a musical act in New York. Jim has plans to retire from show business to work at a farm in Connecticut. He and Lila are going to get married, but Lila has a change of heart. She decides to continue on dancing with Ted, whom she has just discovered she's in love with. They break the news to him and Jim goes off to his farm alone. A year goes past without a day to relax and Jim is sent off to a sanatorium. He comes back with a fabulous idea for a a night club: Holiday Inn. It's open only on holidays. He meets Linda Mayson (Marjorie Reynolds) who he hires to entertain. Meanwhile, Ted and Lila become engaged but on New Years Eve she runs off with a Texas millionaire. Drunk and depressed, Ted stumbles down to Jim's place where he dances with Linda. Everyone thinks she's his new partner, but he can't remember who she is. Ted's looking for Linda, Jim's hiding her from him, Hollywood comes a knockin', and beautiful songs are sung.
HOLIDAY INN is one of my holiday favorites. It is a celebration of every holiday, but Christmas is starred about three times which officially makes it a Christmas movie in my book. Bing Crosby and Fred Astaire are at their best. I love how much I hate Fred in this picture. He's just a jerk who's trying to screw over his best pal. Marjorie Reynolds and Virginia Dale are two fabulous dancers and singers. I really don't know much of their careers, but I hope it was as fun and entertaining as this picture.

What brings you here on this bright and uninviting day?
LW

The Palm Beach Story Is Quite The Story

2011-11-30T13:16:00.001-06:00

THE PALM BEACH STORY

Released: November 7, 1942
Directed: Preston Sturges
Starring: Claudette Colbert, Joel McCrea, Mary Astor, Rudy Vallee

After a fairly blissful marriage, Gerry Jeffers (Claudette Colbert), decides to divorce her husband, Tom (Joel McCrea). She believes she can help him financially if she could divorce him and marry a millionaire. Tom refuses to let her go, so Gerry runs away with nothing but her charms and beauty to help her. She manages to convince a group of millionaires to buy her a train ticket. Then, when she loses her clothes and ticket, another man by the name of J.D. Hackensacker III (Rudy Vallee) offers to buy her clothes. Gerry discovers he is a millionaire and gladly clings to him. Tom tracks Gerry down and when she introduces him as her brother, things get complicated.
THE PALM BEACH STORY is another great Sturges film. The beginning is very confusing and it never really makes sense. Not even at the end. But once you get past that, the story is brilliant. The movie pokes fun at married couples, millionaires, and even divorce. It is a lot of fun. Joel McCrea is really at his best in this picture. I think this is where I fell in love with him. Claudette Colbert is always fantastic in the screwball role and Rudy Vallee and Mary Astor are great supporting players. The Weinie King is adorable and I love him so much. A really great film. Honest.

You're not being rude, dear, you're just being yourself,
LW

But Darling, I Love You Again

2011-11-29T20:50:00.000-06:00

I LOVE YOU AGAIN

Released: August 9, 1940
Directed: W.S. Van Dyke
Starring: William Powell, Myrna Loy

Larry Wilson (William Powell) is an uptight and boring businessman from Habersville. In an attempt to rescue the drunken 'Doc' Ryan (Frank McHugh) after he falls over board, Larry gets hit on the head by an oar. When he comes to he can't recall the last nine years. In fact, he's no longer Larry, but a conman named George Carey. He's had amnesia for nine years. He's absolutely disgusted by his stuffy alter ego and decides to book it. But George notices Larry's bank book and decides to pull a quick con, with Doc Ryan by his side. Things don't go according to plan, however, as he discovers that the money belongs to the community chest and Larry owes the bank money. George is not dismayed and attempts to con the town. Things are complicated when George falls for Larry's wife, Kay (Myrna Loy), who's divorcing him! George has to con the town and make Kay fall in love with him, again.
This is a highly amusing picture. I LOVE YOU AGAIN is just so much fun. A Powell/Loy film will always be lots of fun and wonderfully funny. The two just have a great chemistry and are so perfect together. The story is a bit unrealistic, but that's the point of these screwball comedies. It is really a wonderful film. Watch it!

I'll never stuff another squirrel as long as I live,
LW

What's Life Without Love

2011-11-18T12:03:00.000-06:00

WITHOUT LOVE

Released: March 22, 1945
Directed: Harold S. Bucquet
Starring: Spencer Tracy, Katharine Hepburn, Lucille Ball

Pat Jamieson (Spencer Tracy) is a government scientist working on a top secret oxygen mask for the war. He comes to D.C but is unable to find a place to stay. A drunken Quentin Ladd (Keenan Wynn) shares Pat's taxi and invites him to stay at his cousin Jaime's house. Pat agrees and the next morning meets cousin Jaime Rowan (Katharine Hepburn), a widow. Jaime thinks Pat is the new caretaker and Pat plays along. When she discovers who he is, she obligingly allows him to stay. The two have very different views on love. Pat has had all the worst of it, Jaime all the best. The two become quick friends and Jaime eventually asks Pat to marry her on the condition of a loveless marriage. He agrees and she becomes his assistant. They're in a loveless marriage, but will it last?
WITHOUT LOVE is a very nice film but the script isn't the greatest. The scene at the piano is very confusing. It's like the writer needed to put in a speech but didn't know how to go about it. Lucille Ball plays Jaime's friend and real estate agent Kitty Trimble. Keenan Wynn is very funny as Quentin Ladd. He has a tendency to be both a dork and a suave guy all at the same time. Spencer Tracy and Katharine Hepburn are just lovely. I adore the films they've done together. They just have it.

In a very little while,
LW

You Said What! No Beer?

2011-11-13T19:29:00.000-06:00

WHAT! NO BEER?

Released: February 10, 1933
Directed: Edward Sedgwick
Starring: Buster Keaton

Elmer J. Butts (Buster Keaton), a taxidermist, is hopelessly in love with Hortense (Phyllis Barry), a gangster's moll. He wants to obtain a million dollars so he could afford to buy her a rolls royce. Jimmy Potts (Jimmy Durante), Elmer's pal, is obsessed with repealing prohibition and convinces Elmer to vote 'wet' at the upcoming election. Their agenda has been fulfilled and Jimmy has a brilliant idea of opening a brewery. Elmer agrees because a.) he has the money, and, b.) he thinks this will allow him to win Hortense. The two purchase a brewery and hire three homeless men who lived in it. They start selling "real beer - 5 cents", only prohibition hasn't been officially repealed and get arrested. But when the police chemists test the beer they discover that it's near beer. The two continue selling it only now Jimmy has changed the formula so it's real beer, only Elmer still thinks it's near beer. Things get complicated when Elmer agrees to partner with a gangster.
WHAT! NO BEER? doesn't have the best or clearest story.This movie is pretty ridiculous. The Buster scenes are of course, the best. Jimmy Durante annoys the hell out of me. Grrr. This was Buster's last film at MGM despite the fact that right before this film, he had resigned with them. At this time, he and Natalie were getting a divorce and Buster's alcoholism made filming difficult. He either arrived on set intoxicated or not at all. Despite all that, he was still able to do his funny bits and remember all of his lines. Of course, considering the garbage he was given, he could do it intoxicated, asleep, and on his head. I have a lot of anger towards MGM during Buster's five years with them. Another one for true fans. If this is your first Keaton film, I would suggest watching some of his earlier works. Even his earlier talkies are much better than this film.

Her smell will always linger in my nostrils,
LW

It Should Happen To You My Friends

2011-11-09T10:39:00.000-06:00

IT SHOULD HAPPEN TO YOU

Released: January 15, 1954
Directed: George Cukor
Starring: Judy Holliday, Peter Lawford, Jack Lemmon

Gladys Glover (Judy Holliday) is at the end of her rope. She's been in New York for two years and nobody knows who she is. Plus she was just fired for being 3/4 of a inch too large around the hips. Pete Sheppard (Jack Lemmon) is a documentarist who runs into Gladys in Central Park and he's absolutely smitten. He's shooting a documentary on Central Park and promises to show her the finished film. He leaves but not before departing some wisdom, "Where there's a will, there's a way. And where there's a way, there's a will." Gladys sees a blank billboard on Columbus Circle and gets a marvelous idea. She decides to rent it and put her name up on it in big letters. A few days later she sees that Pete has moved in across the hall from her and the two become quick friends but he's not happy with her billboard craze. Due to some mishap, the Adams Soap company tries to buy off Gladys for use of that specific billboard. She refuses until Evan Adams III (Peter Lawford) offers her six billboards. Suddenly everyone knows Gladys Glover which puts a strain on her and Pete's relationship.
This is a really great movie. This is also the feature film debut of Jack Lemmon and it's easy to see why he became a star. He's so likeable. Judy Holliday does a fantastic job playing the dumb blonde. It's such a shame she was never given much juicier roles. IT SHOULD HAPPEN TO YOU is such a feel good film, that you won't want to turn it off. It is very funny and says a lot about consumerism, as well as how stupid people can be. And I don't mean Gladys. A fantastic little film.

It's my business if there's a maniac running loose,
LW

Fall In Love With The Fantastic Flying Books of Mr. Morris Lessmore

2011-11-05T19:44:00.000-05:00

THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE

Directed: William Joyce, Brandon Oldenburg

Wow.
Wow.
That is all I can really say about THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE.
Inspired by Buster Keaton, The Wizard of Oz, books, and Hurricane Katrina, MORRIS LESSMORE is a beautiful mix of 3D, 2D, minitiares and so many other animation techniques.
It tells the story of Mr. Morris Lessmore, a young man who after a hurricane is brought back to life by his love for books. He in turn brings the books and the rest of the town back to life.
It is a truly beautiful piece of art. Most of my friends are animators and I'm the lone live action/pre-production film kid. Thanks to me, they all knew who the main character was, and thanks to them, I could appreciate THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE on a much deeper level.
Alright, so it totally changed my life.
And I know it will change yours. It's not even fifteen minutes long. It won't take much out of your day and at the end, you'll be glad you did. It is a beautiful story with beautiful animation.

LW

I Happen To Know Three Guys Named Mike

2011-11-05T18:40:00.000-05:00

THREE GUYS NAMED MIKE

Released: March 1, 1951
Directed: Charles Walters
Starring: Jane Wyman, Van Johnson, Howard Keel

Marcy Lewis (Jane Wyman) is a big hearted girl with a head full of ideas. She is embarking on her newest passion: airline stewardess. She is accepted into the program and makes new friends at training camp. After camp, Marcy is an official stewardess and goes on her first flight. The flying captain is Mike Jamison (Howard Keel), whom she gets off on the wrong foot. Later, on a trip to L.A. from Chicago, she meets Michael Lawrence (Van Johnson), a grad research student who she incorrectly thinks is a V.I.P. A few days later, while looking for a house, she runs into Mike Tracy (Barry Sullivan), an advertising agent. She likes each one equally, but they all vie for her attention. Things are complicated when all three gentlemen meet. Mike, Micky, and Michael are each going to fight to win the heart of their Marcy.
This is a very entertaining movie. It gives a great insight into American Airlines in the early 50's. It's so weird to think they had training camps. Jane Wyman was a pretty big star at the time and so they got a leading man and two up and coming male actors as her love interests. Van Johnson is absolutely adorable as the science nerd. Howard Keel is pretty amazing in this early role. I don't know much about Barry Sullivan, but he's pretty good. It's a fun movie that you don't have to take too seriously, but it's worth at least a watch.

He lights up,
LW

I Must Reread The Adventures of Sherlock Holmes' Smarter Brother

2011-11-02T11:56:00.000-05:00

THE ADVENTURES OF SHERLOCK HOLMES' SMARTER BROTHER

Released: December 14, 1975
Directed: Gene Wilder
Starring: Gene Wilder, Madeline Kahn, Marty Feldman

Sherlock Holmes (Douglas Wilmer) and Dr. Watson (Thorley Walters) claim that they are unable to take a case and push it onto Sigerson Holmes (Gene Wilder), Sherlock's younger, and self proclaimed smarter brother than 'Sheer-luck'. Sherlock sends a Scotland Yard clerk, Sgt. Orville Stanley Sacker (Marty Feldman) to relay the message. Sigerson coldly accepts and is met with Jenny Hill (Madeline Kahn), a seriously disturbed young woman. She is being blackmailed and needs Holmes' help to retrieve the unforgivable document. Unfortunately, she's not a very reliable client nor witness and it is going to take all of Sigerson's wit and brains to solve the ever evolving case.
THE ADVENTURES OF SHERLOCK HOLMES' SMARTER BROTHER is a very complicated, yet hilarious story. I've seen it on various occasions and each time I forget how much I love it. It is a true gem that more people should know about. It definitely pokes fun at our favorite characters and perhaps the mystery detective genre as a whole. This is also Gene Wilder's directorial debut. He also wrote and starred in it which is pretty groovy. There are several running gags and songs. You might see some familiar faces based on the type of movies you watch. Leo McKern and Roy Kinnear are both in this film (as Moriarty and assistant, respectfully) of whom I know by watching HELP! way too many times. There are the usual characters actors such as Dom DeLuise and of course our other headliners. The humour can be bit raunchy but not terrible. If you like Mel Brooks' movies, then this is right up your alley. Great. Love it.

Never mind. I'll explain it to you later,
LW

The Passionate Plumber Politely Plunges

2011-10-30T15:57:00.000-05:00

THE PASSIONATE PLUMBER

Released: February 6, 1932
Directed: Edward Sedgwick
Starring: Buster Keaton

Buster Keaton is Elmer E. Tuttle, a Parisian plumber who's been picked up by Julius J. McCracken (Jimmy Durante), a servant of Patricia Alden (Irene Purcell) to fix her shower. Patricia is a beautiful and rich woman who's lover is a two timing liar by the name of Tony. She tries to get away from him, but he follows her all the way up to her bedroom where he finds Elmer only in a towel, due to a little plumbing accident. Patricia then pretends that Elmer is her lover in order to keep Tony away. The only trouble is Elmer takes his job too seriously and besides that he's madly in love with her. To make matters worse, everyone seems to think that Elmer was trying to assassinate a military leader.
I could have put Jimmy Durante in the starring list, but Durante and Keaton just do not mix. I wanted to strangle Durante for obnoxiously taking away Buster's scenes. THE PASSIONATE PLUMBER isn't terrible. It's actually pretty funny. My main problem was Durante. He's just so annoying. The funny thing about this movie is that much of the beginning is reused for a Columbia Pictures cheater called SHE'S OIL MINE. Many of his later cheaters seemed to reuse gags from his old pictures. Not the greatest film ever, although probably better than some of his earlier talkies. Buster is allowed to do what he does best, and for that, I am truly grateful. For the true fan of Buster Keaton or someone who's just curious.

Maybe some day you'll be glad I was here,
LW

Lover Come Back To Me

2011-10-26T22:19:00.001-05:00

LOVER COME BACK

Released: December 20, 1961
Directed: Delbert Mann
Starring: Rock Hudson, Doris Day, Tony Randall

Jerry Webster (Hudson) and Carol Templeton (Day) are rival advertising executives who hate each other's guts, despite their never having met. Jerry uses sex to get clients and sell products. Carol uses good old fashioned hard work. When Jerry steals the Miller account, Carol goes to war. She complains to the Ad Council but her witness, Rebel Davis (Edie Adams), has been coached by Jerry and gets him off the hook. By accident, Rebel hints to Carol that she's the new VIP girl (not the acronym) and Carol is off to get the VIP account. But Jerry only made up the VIP product to keep Carol under his thumb. And now that Peter Ramsey (Tony Randall), Jerry's neurotic friend and boss, has released the commercials featuring Rebel as the VIP girl, Jerry has to come up with VIP. He approaches Dr. Linus Tyler to create VIP and he agrees, but Carol accidentally mistakes Jerry as Dr. Linus Tyler, the supposed inventor of VIP.
This is a fairly enjoyable piece of fluff. The story isn't original (rewatch PILLOW TALK) but LOVER COME BACK is entertaining. Tony Randall is just fabulous as the neurotic employer, and it's plain to see where Eve Ahlert and Dennis Drake got their inspiration for DOWN WITH LOVE. This can be a background film, but watch with caution. I tried to some work and immediately put it down. I just got sucked in. Doris Day and Rock Hudson just have great chemistry. I love it.

I'm surrounded by traitors,
LW

Gentlemen Prefer Blondes, Dear Ladies

2011-10-23T18:23:00.000-05:00

GENTLEMEN PREFER BLONDES

Released: July 1, 1953
Directed: Howard Hawks
Starring: Rosalind Russel, Marilyn Monroe

Dorothy Shaw (Rosalind Russel) and Lorelei Lee (Marilyn Monroe) are two showgirls who are out to grab their man. Lorelei found her's: a young millionaire by the name of Gus Esmond (Tommy Noonan) who's wrapped around her little finger. The two are off to get married, but Gus's dad calls him away. Not wanting to miss her trip to Paris, Lorelei convinces Gus to let her and Dorothy go on the trip. Unbeknownst to them, Gus's father has hired a private investigator, Ernie Malone (Elliott Reid), to spy on Lorelei. Ernie, of course, falls in love with Dorothy and Lorelei approves only because she thinks Malone has money. Lorelei is obsessed with money and finds her golden goose in Piggy (Charles Coburn) who owns a diamond mine. Things, of course, begin to unravel quickly for both girls in the quest for love, money, and diamonds.
Let me start by saying this is the only classic film my brother will watch. He finds the two women hysterical. That said, Rosalind Russell and Marilyn Monroe do a terrific job in their roles. They are highly entertaining and are at their best. Rosalind is so pretty and Marilyn looks surprisingly innocent. A really great film but it is a musical. So if you don't like musicals, I'd pass it up. Especially if you're not into meaty men, as one specific song involves the U.S.A. Olympic team (not the actual team).

The second reason is you got a lot of animal magnetism,
LW

Leave It To Tammy And The Bachelor

2011-10-21T09:23:00.001-05:00

TAMMY AND THE BACHELOR

Released: June 14, 1957
Directed: Joseph Pevney
Starring: Debbie Reynolds, Leslie Nielson, Walter Brennan

Tammy Tyree (Reynolds) is a young teenage girl who's lived her whole life on the Mississippi River with her Grandpa (Brennan). Tammy dreams of getting out of the river and into a new life. She sees an airplane crash, and she and her grandpa fish out the barely living pilot, Peter Brent (Nielson). Tammy falls head over heels, but Peter thinks of her as only a kid. He recovers and leaves, but not before telling Grandpa that if anything should happen to the old guy, to send Tammy to his house. A few weeks later Grandpa gets sent off to jail for making moonshine and Tammy (and her goat, Nan) walk to Peter's house. Tammy is definitely a fish out of water with her domestic, religious, and simple ways. Tammy also has competition in ways of Peter's affection, as he has a girlfriend by the name of Barbara (Mala Powers).
TAMMY AND THE BACHELOR is a sweet movie. Tammy isn't the brightest kid surrounded by all of these high brow people, but she is clearly smarter than all of them. She helps nearly everyone in the family despite their not realizing it. Tammy is one of those roles that Debbie Reynolds was always given: the sweet country girl. She does it well but I've always wanted Debbie Reynolds to do a different type of character. She's still pretty brilliant. Leslie Nielson, before he was famous for AIRPLANE!, is very charming. It's clear to see why he was a leading man. A nice movie that's worth a watch. Debbie had a hit with the title song, "Tammy", garnering her a gold record. This movie, however, is not a musical.

Come on, Nan,
LW

I Know How To Succeed In Business Without Really Trying

2011-10-17T08:14:00.000-05:00

HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

Released: March 9, 1967
Directed: David Swift
Starring: Robert Morse, Michele Lee, Rudy Vallee

A window washer by the name of J. Pierpont Finch (Robert Morse) purchases a book called How to Succeed in Business Without Really Trying. Due to the advice in the book, he obtains a job at the World Wide Wicket Company. It's not too big, but it's not too small, either. Finch quickly works his way up from the mailroom, as a clerk, having his own office, to getting his dream job: advertising. But Finch has friends and enemies. Bud Frump (Anthony Teague), the bosses nephew, is always one step behind Finch. There's also Rosemary Pilkington (Michele Lee), the secretary who falls madly for Finch at first sight. Another road block is the boss Jasper B. Biggley (Rudy Valee) and his old 'pal' Hedy LaRue (Maureen Arthur).
When I first saw this movie I was just blown away by the awesomeness of it all. It's a corporate musical. That's just great. There's a lot of sarcastic and satirical remarks about corporate life, but mainly it's just a friendly romp through Finch's life. Although he starts from the bottom, he still manages to become a someone. So it's a pretty ridiculous way, but isn't American culture about shortcuts? This is another 60's musical, and it shows. It's not as bad as some, but HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING is a gem. It has everything a movie needs. Plus some really catchy tunes and a barrel of laughs.

An emotional involvement can only lead to getting involved...emotionally,
LW

Becoming Battling Butler

2011-10-13T11:44:00.001-05:00

BATTLING BUTLER

Released: September 19, 1926
Directed: Buster Keaton
Starring: Buster Keaton, Sally O'Neil

Alfred Butler (Keaton) is a wealthy, pampered young man. His father is sick and tired of his lack of manhood and suggests young Alfred go hunting and camping. Alfred has his valet "arrange it" and soon he is camping in style. By sheer accident, he nearly shoots a Mountain Girl (O'Neil) and falls in love. He asks for her hand in marriage, but her big and burly father and brother don't want a weakling in the family. By pure coincidence there is a boxer by the name of Alfred 'Battling' Buster, so Alfred's valet claims that his weak kneed master is that boxer. The family buys it and arrange a marriage between the two lovebirds. But Alfred has to keep up the charade, otherwise his new married life will be ruined.
BATTLING BUTLER was based off a play by a similar name (Battling Buttler). Keaton did a few features that were based of stories or plays, SEVEN CHANCES being the most obvious. These were films that Keaton did because he had to, not because he particularly enjoyed the story. However, Buster did the best he could do. BATTLING BUTLER may not be Buster's greatest film, but it is still highly enjoyable. First off you get to see his athletic prowess. His athleticism would be featured a few years later in COLLEGE, but this is a great jumping point. Buster uses mainly subtle gags in this film. Nothing too over the top or laugh out loud. It's a cute film with some old school boxing violence. Also, the valet (Snitz Edwards), played the lawyer in SEVEN CHANCES. No one could forget a face as freaky as his.

Arrange it,
LW

How Do I Know Who Framed Roger Rabbit?

2011-10-11T18:35:00.001-05:00

WHO FRAMED ROGER RABBIT?

Released: June 22, 1988
Directed: Robert Zemeckis
Starring: Bob Hoskins, Christopher Lloyd, Joanna Cassidy

It's 1947 Hollywood and toons run freely through town. Eddie Valiant (Bob Hoskins), a toon hating detective, is hired by R.K. Maroon (Alan Tilvern), the owner of Maroon Cartoon Studios, to spy on Roger Rabbit's (Charles Fleischer) wife. Eddie is a washed up, drunken detective and needs the cash, and despite his prejudices, takes the job. To his surprise Mrs. Jessica Rabbit (Kathleen Turner) is one sexually appealing toon. Eddie takes pictures of her playing patty cake with Marvin Acme (Stubby Kaye), owner of both Toontown and the Acme corporation. Eddie and Maroon show Roger the pictures but he just can't believe it. He leaves in a fit and the next morning Acme is found dead. Everyone assumes Roger did it, but Roger claims he was framed. It's up to Eddie, Dolores (Joanna Cassidy) - Eddie's girl, Roger, and Jessica to find the killer, the deed to Toontown, and save their own skins.
WHO FRAMED ROGER RABBIT? is a visual spectacle of pure magic. There's absolutely nothing wrong with this movie. It's funny, dramatic, serious, and goofy all in one dose. My animator friends are blown away by the seamless animation/human interaction and my live action pals think the cinematography, story, and acting is superb. It's a film for every and anyone. Anyone who hasn't seen WHO FRAMED ROGER RABBIT? is really missing out. It's really one of those films you've got to see to believe. There are so many great things about ROGER RABBIT that I can't just talk about it in a rational manner, but then again, how rational is this movie? A mix of humans and toons is just an ingenious idea and it is executed in the most perfect way. Watch it. Now. Do it!
ROGER RABBIT also has cameos of famous toons, such as Betty Boop, Donald Duck, Daffy Duck, Dumbo, Micky Mouse, and Bugs Bunny.

I'm not bad, I'm just drawn that way,
LW

I Prefer A Vivacious Lady

2011-10-05T09:40:00.000-05:00

VIVACIOUS LADY

Released: May 10, 1938
Directed: George Stevens
Starring: Ginger Rogers, James Stewart, Charles Coburn

Peter Morgan Jr. (James Stewart) is a botany professor at the university run by his father (Charles Coburn). Peter's sent to the city to bring back his cousin Keith (James Ellison) back to the university. While attempting to find Keith, Peter meets Francey, a nightclub singer with whom Keith is infatuated. After a night walking the city, Francey and Peter get married. The three return home but Peter has a hard time telling his conservative parents that he's married. Things are complicated by the fact that Peter has a fiance, his Father is an overbearing jerk, and that everyone seems to think that Francey is Keith's girl.
VIVACIOUS LADY is a very fun film. You get to see Ginger Rogers and Jimmy Stewart paired together for the first and only time. And to think it almost never happened! Jimmy got sick three weeks into filming and then he had to go star in OF HUMAN HEARTS. They considered getting another actor, but Ginger was vehement. The two have lovely chemistry and they are just superb together. You get a taste of Ginger's singing and dancing at the beginning of the film and a little bit more near the end. James Stewart is just so terribly funny as Peter Morgan. He's such a great actor and I'm glad they let him keep the part. The supporting players are quite great. Beulah Bondi plays Stewart's mother in this film, a role she was already familiar with as she played his mother in OF HUMAN HEARTS. She would later play his mother in MR. SMITH GOES TO WASHINGTON, IT'S A WONDERFUL LIFE, and on an episode of THE JIMMY STEWART SHOW. Another bit of trivia is that Ginger's legs were insured for $500,000, so during the fight scene, her legs were padded up to avoid damage.

And besides, it's against the law to hit a man who has glasses on,
LW

And That's My Son Steamboat Bill Jr

2011-10-04T22:10:00.000-05:00

STEAMBOAT BILL JR.

Released: May 28, 1928
Directed: Chas F. Reiner, Buster Keaton
Starring: Buster Keaton

Steamboat Bill is a tough steamboat captain who's rival, J.J. King, is taking all of his business. Bill's son, William Canfield Jr. (Buster Keaton), has just finished school and is visiting his dad, probably for the first time in his life. Steamboat Bill is terribly upset at the son he's been given and things go from bad to worse as he discovers that Willy's got a thing for King's pretty daughter.
STEAMBOAT BILL JR. is just a great film. Buster Keaton is at the top of his game. It's just sad that STEAMBOAT BILL JR. wasn't as a big a success as it is now. Also Chas F. Reiner really didn't direct. He mainly got paid to get in the way. Buster was the actual director. Reiner was given all the scenes Buster wasn't in. This was the last film made before Buster signed with MGM, and it's a shame that we wouldn't see this much creativity and fun on screen by Buster Keaton almost ever again (except for perhaps THE CAMERAMAN). There are a bazillion great gags, such as the pork pie hat cameo, Buster's baking, learning the ropes, and the cyclone scene. The cyclone was originally going to be a flood but there was a recent flood in Mississippi and they didn't want to offend or upset anyone. Sound familiar? STEAMBOAT BILL JR. also has perhaps Buster's greatest stunt. I won't give it away if you haven't seen it, but I'll give you a hint: it involved life or death.

I know what it is - you're ashamed of my baking,
LW

She's Quite The Ball Of Fire

2011-10-03T19:18:00.000-05:00

BALL OF FIRE

Released: December 2, 1941
Directed: Howard Hawks
Starring: Gary Cooper, Barbara Stanwyck

Bertram Potts (Gary Cooper) is one of eight professors who, for the last nine years, have been working on an encyclopedia. A garbageman comes asking for the answers for a trivia questionnaire and Potts notices his use of slang. Realizing his compilation of slang is outdated, Potts goes out on the town, gathering new words and "experts" to help in his research. One of his "experts" is Sugarpuss O'Shea (Barbara Stanwyck), a nightclub singer who's on the lamb due to her boyfriend being suspected of murder and her testimony could put him behind bars. She decides to hide out at Potts' house, but there are seven professors who haven't seen a women in years. Not to mention their stuck up housekeeper. Potts wants her out, until he discovers 'yum yum.'
BALL OF FIRE is a really great film. Gary Cooper and Barbara Stanwyck are just a great couple. Cooper is the perfect uptight professor. Stanwyck is so tough and sexy. It's no surprise she drives the old professors nutty and Potts up the wall. This is just a great roll for Stanwyck. Howard Hawks remade this movie in 1948 with Danny Kaye and Virginia Mayo as A SONG IS BORN. That film is good, but not as fantastic as BALL OF FIRE. Stanwyck and Cooper just have a chemistry and understand their characters in a completely different way than Kaye and Mayo. Another bit of trivia is that the professors were each based off of Disney's seven dwarfs. Maybe you could figure out which ones they are.

Sugarpuss, would you...yum me one more time?
LW

The Great Stone Face

2011-10-01T13:33:00.001-05:00

BUSTER KEATON

Born: October 4, 1895

Died: February 1, 1966

Joseph Frank Keaton was born in Piqua, Kansas, for no other reason than his parents were on the road. Myrna and Joe Keaton were vaudeville performers, so it was perhaps destined that young Joe would become a performer. In fact, his first appearance was as a mere toddler: he had gotten loose from the rope his parents tied him up in and crawled on stage. It was a laugh riot! Myrna and Joe eventually incorporated their son into the act.

It's said that Harry Houdini gave Buster his name. At a mere six months, Buster tumbled down the stairs completely unharmed. Houdini supposedly cried out, "What a buster!" There are, of course, different versions of that sentence but the point is, Buster stuck. And at six months old, Buster Keaton was born.

At about three, Buster got his finger caught in a clothes wringer and had it cut off. If you look closely, you can see he's missing part of his finger on his right hand. There are other fantastical stories involving Buster's childhood but whether they're true or is a mystery in itself.

Buster joined his parents onstage at around four. It was quite a violent and dangerous act. Myrna would play the saxophone (perhaps one of the only lady saxophonists at the time) while Buster would find an amusing way to harm his Father. Joe would then dangerously reprimand Buster in various ways, including kicking him, throwing him, etc. What made it so funny was Buster's dead pan expression. His father had learned that if Buster was unresponsive, the audience ate it up.

After a run in with the child labor laws, the Keaton's moved to Muskegon, Michigan to lay low for while until Buster was old enough. That was probably the only time Buster really had a normal childhood. He had the opportunity to be a real kid.

Of course Buster grew up, and after some tension between he and his father, Buster left to New York where he quickly found a job on Broadway in Shubert's Passing Show of 1917. But that was short lived as he ran into Roscoe "Fatty" Arbuckle.

Roscoe was impressed by Buster and asked him to come to his shoot. Buster agreed and was so impressed by it all, that he quit his well paying job in the show to work with this new technology for $40 a week.

Buster had always had a mechanical mind and so when he saw the camera he immediately asked to see it. He took it home that night and took it apart. He was in love. He knew this was where he was meant to be.

While shooting, Roscoe had asked Buster to join in. He had refused, but then decided to give it a shot. He went through all of the costumes and put on any old thing, but one thing item would become his trademark: the pork pie hat.

Buster's first film appearance was in THE BUTCHER BOY.

After a few more shorts, Buster would become Roscoe's co-director and writing staff. The two became great friends and after the bird had left the nest, Buster would still keep in touch with Roscoe. Buster stuck to Roscoe through the Rappe murder scandal and was crushed when he died in 1933.

In 1920, Buster began making his own shorts, starting with ONE WEEK and starred in his first feature, THE SAPHEAD. Douglas Fairbanks Jr. had recommended Buster for his former role and Buster did not disappoint.

Buster continued to make shorts until 1923 when he made his first feature: THE THREE AGES. It was broken down into three parts just in case it wasn't a hit. If it lost at the box office, then they could release three different (albeit similar) short films. It was a success.

Buster would continue to make feature films, some with more success than others. THE GENERAL, which we consider a classic today (and Buster's favorite of his work), was a flop. After a string of failures, Buster was given less financial and creative freedom.

In 1928 Buster signed with MGM, and like most diehards will tell you, that's when things went down hill. He made two more silent pictures, THE CAMERAMAN and SPITE MARRIAGE, before moving into talkies. MGM refused to give Buster the creative freedom that he thrived on. He was given lousy scripts with one dimensional characters.

To make matters worse, Buster's marriage to Natalie Talmadge was falling apart (if not dead in the water) and Buster had turned to alcohol. By 1933 Buster was out of a job and married to Mae Scriven whom he had denounced merely as a marriage of convenience.

Buster got little parts in a few films and even got a job as a gag writer for MGM. He would recycle his own gags for comedians such as the Marx Brothers (whom he detested) and Red Skelton.

For a while Buster made cheaters for both Educational Pictures and Columbia. Although he had little pride in these films, they contributed to his income and he was above dignity. He was supporting both his parents and his brother Harry "Jingles" and sister Louise.

Around 1940 he met 18 year old Eleanor and the two married in July 28, 1940. Buster was finally happy.

Buster would continue to work small parts, some of which are quite memorable such as "pass" in SUNSET BOULEVARD or as Hickey IN THE GOOD OL' SUMMERTIME.

During the 50's Buster could even be found on your television sets on THE BUSTER KEATON SHOW or HERE'S BUSTER. He also had guest appearances on talk shows or general programs such as his rather famous TWILIGHT ZONE episode.

Near the end of his life, Buster received the honor that he so greatly deserved, even receiving an honorary Oscar, but as Buster believed, it was too late.

Buster died of lung cancer in 1966.

People had always told Buster that he was a genius but as the great stone face once said, "No man can be a genius in slap shoes and a flat hat."

Buster Keaton understood the camera and he knew what made people laugh. He has left behind an inspiring, yet sad story. He was definitely one of the greatest actors, directors, and producers of all time. He understood the absurdity of man, nature, and machine. His character was a lovable guy who always got the short end of the stick. We rooted for Buster because he's a part of all of us. He's the child in all of us who can do anything if we want it badly enough. It's a shame that other silent stars have been engraved into our culture and yet Buster Keaton stands on the other side of the line. I suppose it's for the best. They might destroy everything he ever stood for and everything he means to dedicated fans and visionaries.

All my life I have been happiest when the folks watching me said to each other, 'Look at the poor dope, will ya?'

-LW

Boy, You Must Have A Hole In The Head

2011-10-01T08:47:00.001-05:00

A HOLE IN THE HEAD

Released: July 15, 1959
Directed: Frank Capra
Starring: Frank Sinatra, Edward G. Robinson, Eleanor Parker

Frank Sinatra is Tony Manetta, an unsuccessful hotel owner who's on the verge of eviction. His eleven year old son, Ally (Eddie Hodges), is the mature one in the family and is constantly worrying about his Pop. Tony needs $5,300 or his hotel will close down so he calls up his brother Mario (Edward G. Robinson). He makes up some cock and bull story about Ally being sick which worries Sophie (Thelma Ritter), Mario's wife, and they both hop a plane and head down to Miami. Mario refuses to give his 'bum' brother the money gives Tony a proposition. Either marry a nice quiet lady, or they'll take away Ally. Tony doesn't want to get married, nor does he Ally to leave him. But he really needs that money. Not to mention his crazy idea about a Disneyland.
Talk about a heart warming film! Sure Tony is a bit of a jerk, but the guy obviously loves his son so much that you can forgive everything he does. Thelma Ritter is absolutely hilarious, but then she usually is. It's more of a subtle funny, don't expect a spectacle. Eddie Hodges is a cute kid and he and Sinatra are just great together. Edward G. Robinson plays a wonderfully uptight fellow. The changes in the film are subtle and sweet. Yes, I was on the verge of tears. It is just a sweet movie and you can't help but root for Tony. I think the script is just fantastic! Ok, so it was adapted from the play, but that doesn't mean a thing. This movie also pre-dates Disneyland, and I can't help but wonder if Disney got the idea from this film. A real sweet film about family.

How can you be a bum, you're my brother!
LW

Love To, Sabrina

2011-09-27T21:00:00.000-05:00

SABRINA

Released: September 22, 1954
Directed: Billy Wilder
Starring: Humphrey Bogart, Audrey Hepburn, William Holden

Sabrina Fairchild (Audrey Hepburn) is the chauffeur's daughter who is hopelessly in love with David Larrabee (William Holden), the youngest son of the household. She's sent to a culinary school in Paris, but rather than her infatuation with David dying, it only grows. She returns to Long Island a beautiful and sophisticated young woman who suddenly grabs the attention of the playboy David Larrabee. Unfortunately for Sabrina, David's engaged to the daughter of Linus Larrabee's (Humphrey Bogart) business partner. Linus, David's brother, needs this marriage to occur so he can see his new business come to life. Linus decides to take matters into his own hands, and possibly, Sabrina's heart.
This really is a beautiful movie. Despite how much Bogey hated the making of this film, I think this is one of Humphrey Bogart's greatest roles. Audrey Hepburn is just a lovely thing and you can believe her as a plain girl that transforms into a beautiful woman. William Holden is quite funny and this is just a great movie. There are so many memorable parts that I can't just choose one. During the filming of SABRINA, Hepburn and Holden were involved in a highly publicized affair, which made filming PARIS WHEN IT SIZZLES a bit difficult as Holden tried to reignite the affair. Edith Head also won an Oscar for Best Costumes, but she only designed Hepburn's pre-Paris outfits. Hubert de Givenchy designed Hepburn's more famous or noteworthy gowns. This was the beginning of their wonderful partnership.

It's all in the family,
LW

Don't Question The Major And The Minor

2011-09-25T13:04:00.002-05:00

THE MAJOR AND THE MINOR

Released: September 16, 1942
Directed: Billy Wilder
Starring: Ginger Rogers, Ray Milland, Rita Johnson

Susan Applegate (Ginger Rogers) is tired of being hit on in all of her career endeavors. Finally fed up after being sexually harassed by the greasy Mr. Osborne (Robert Benchley), Susan decides to head back home to Stevenson, Iowa where life is not so exciting, but at least she'll have some type of security. She has saved up the train fare in an envelope, but when she tries to get her ticket, the price has gone up. Not having enough for full fare, Susan disguises herself as 12 year old Su-Su Applegate. In an attempt to get away from the conductors, she hides in Major Phillip Kirby's (Ray Milland) drawing room. He honestly believes she's twelve and agrees to let her stay the night. But the next morning his fiance, Pamela Hill (Rita Johnson), stops by and she get's a horrible idea. Kirby needs Su-Su to clear his name but Susan's roped in by Pamela's kid sister to help Maj. Kirby. That is, if the entire military academy will let her.
This is a really cute film. I've seen it a million times. Despite the fact that a thirty something Ginger was trying to be a twelve year old, it isn't bothersome at all. I know I begin to believe her. The whole premise is heart warming. Plus a bunch of thirteen year old, hormone crazed boys are chasing her all around a military school. THE MAJOR AND THE MINOR was also Billy Wilder's American directorial debut. He will go on to greater and more wonderful things, but it's nice to see this film. It's funny, cute, and just fantastic. Ray Milland is very handsome, and you get to see just a little bit of Ginger's dancing abilities.

I'll try and be a better lightbulb, Uncle Phillip,
LW

Half A Sixpence Is Better Than Half A Penny

2011-09-22T20:21:00.000-05:00

HALF A SIXPENCE

Released: February 20, 1968
Directed: George Sidney
Starring: Tommy Steele, Julia Foster, Cyril Ritchard

Arthur Kipps (Tommy Steele) is an apprentice to a tyrannical shop owner who lives in the shop cellar along with three other shop workers. Every day he gets letters from his childhood sweetheart, Ann (Julia Foster). She writes that she's coming to town and they meet for the first time in years. They still both love each other and Arthur gives her half a sixpence as a token of their love (they had found the sixpence years earlier). A playwright on a bike (Cyril Ritchard) runs Arthur over and reveals some startling news to him. Arthur is the grandson of a wealthy man and he has left everything to Arthur. Arthur's life begins to change, but will he lose sight of the woman and people he loves, or will he give it all up for society?
A 1960's British musical. That basically sums up the entire film. It's very 60's and quite British. It was originally a stage musical as a vehicle for Tommy Steele. But Tommy Steele is so amazing that he can do just about anything. He's just fantastic as Artie, although there are times that you want to kill him (Artie, not Tommy). The songs are super catchy. This is probably one of my new favorite musicals.

You don't have any pockets,
LW

Let's Talk About Sex and The Single Girl

2011-09-18T08:22:00.001-05:00

SEX AND THE SINGLE GIRL

Released: December 25, 1964
Directed: Richard Quine
Starring: Tony Curtis, Natalie Wood, Henry Fonda, Lauren Bacall

Bob Weston (Tony Curtis) is managing editor of STOP magazine, the dirtiest rag in town, and he's proud of it. He wrote an article based off Dr. Helen Gurley Brown's (Natalie Wood) book, Sex and the Single Girl, raising the question of whether she is, or isn't (a virgin). Helen is terribly upset that she refuses to even talk to Bob, who's planning an expose that'll ruin Dr. Brown and get him a Pulitzer Prize. Bob's henpecked neighbor, Frank Broderick (Henry Fonda) is constantly getting into fighting matches with his wife, Sylvia (Lauren Bacall). Bob takes Frank's problems to Dr. Brown, pretending to be Frank, in order to help out his friend's marriage and get his story.
I really love SEX AND THE SINGLE GIRL. It's a fantastic film. Tony Curtis is really at his comical best. He plays a very charming rat. He honestly believes in what he's doing. Lauren Bacall is hilarious as the nagging wife. Natalie Wood is quite entertaining and Henry Fonda is great. A fantastic movie. Some might think it's dated, but I think it plays just as well today. My only problem is the car chase scene at the end. It's way too long. But other than that, a wonderful film. A plus side is everyone tells Bob Weston that he looks like Jack Lemmon.

This man is ugly,
LW

The Bells Are Ringing In My Ears

2011-09-17T12:43:00.001-05:00

THE BELLS ARE RINGING

Released: June 23, 1960
Directed: Vincente Minelli
Starring: Judy Holliday, Dean Martin

Ella Peterson (Judy Holliday) is a switch board operator at the Susanswerphone answering service. Ella is a big hearted girl who loves to solve her subscribers' problems. She plays Santa Claus for a little boy, gives the musically inclined dentist hints at music publishers, and plays 'mom' to a playboy playwright, Jeffrey Moss (Dean Martin). Ella is hopelessly in love with Jeff even though she's only heard his voice and listened to his problems. Afraid that Jeff is going to ruin his last chance at success, she sneaks into his apartment to help him write his newest play. The two fall in love but Ella feels guilty because she's given him a fake name and she's not being honest. A side plot is about a man named Otto who wants to use Susanswerphone as his Titanic Records headquarters, but rather than taking orders for records, he takes orders for horse betting. Another side plot are two detectives who think Susanswerphone is only a front for an escort service.
It is a very discombobulated story, but the songs are good and Judy is wonderful. This is her last film and she's really putting her heart into it. The best part is she's not playing a dumb blonde. Dean Martin isn't terrible and you do kind of feel for him. A lovely film, but not the best.

Uh...Uh...I said uh!
LW

Guys And Dolls Are Everywhere

2011-09-14T07:50:00.000-05:00

GUYS AND DOLLS

Released: November 3, 1955
Directed: Joseph L. Mankiewicz
Starring: Frank Sinatra, Marlon Brando, Jean Simmons

Frank Sinatra is Nathan Detroit, a gambler who's having a difficult time trying to find a place to hold his crap game. No one wants to house him due to the fact that Lt. Brannigan (Robert Keith) is "putting on the heat." As if that wasn't enough, Adelaide (Vivian Blaine), Nathan's fiance of fourteen years, is tired of waiting around. She wants to get married now. Luckily, Nathan can solve at least one of his problems. Sky Masterson (Marlon Brando), a reckless and impetuous gambler, has just rolled into town. Nathan bets a thousand bucks that Sky can't take any girl of his choosing to Havana, Cuba. And Nathan picks Sgt. Sarah Brown (Jean Simmons), the most devoted member of the Save A Soul Mission.
GUYS AND DOLLS is a highly amusing musical. First off, the numbers are very catchy. If they don't get stuck in your head, then you're not watching GUYS AND DOLLS. Secondly, the way the characters talk is very unusual. They don't talk like normal human beings talk. You'll notice right off the bat. This picture is very funny, entertaining, and enjoyable. You really invest yourself in the characters. GUYS AND DOLLS is also known for Marlon Brando's and Jean Simmons' singing. In that neither were singers but they used their own voices. No dubbing! It's a great film to watch over and over again, or will be if you haven't seen it yet.

Everybody in the whole world who hates me is now here,
LW

You Can't Take It With You My Friend

2011-09-13T17:47:00.000-05:00

YOU CAN'T TAKE IT WITH YOU

Released: August 23, 1938
Directed: Frank Capra
Starring: Jean Arthur, Lionel Barrymore, James Stewart

Alice Sycamore (Jean Arthur) and Tony Kirby (James Stewart) are terribly in love but Tony's snobby, uppercrust parents do not approve of Alice. Particularly because she's his secretary. Tony doesn't care what his parents think and asks Alice to marry him anyway. She agrees but she won't marry him until she has his parents' approval of both herself and her family. This is a little easier said than done, as her family is a house full of frightfully eccentric folks who do whatever they like, whenever they like. Their whole goal in life is to have fun. Tony brings his parents over a day before the scheduled date which causes much chaos. A side story is Mr. Kirby (Edward Arnold) and his attempts to buy the neighborhood and house of the Sycamore's.
YOU CAN'T TAKE IT WITH YOU is a very funny film and if you walk into it out of the blue (like my roommate) you'll be terribly confused. The Mother writes plays, the sister (Ann Miller) dances, her husband sells candy and plays the xylophone, the Father makes fireworks in the cellar along with a pal of his. The only one in the entire house who isn't crazy is Alice. The Sycamore's are such a kind and friendly family that you just can't help fall in love with them. Jimmy and Jean have such great chemistry together that I'm glad they have more than one movie together (MR. SMITH GOES TO WASHINGTON). Ann Miller was fifteen at the time of shooting which makes it a bit weird that she's married...but that can be completely overlooked. Perhaps not one of Capra's most well known, but it did win Best Picture and Direction for 1938.

The die is cast. I'm a lily!
LW

Have You Met Pat and Mike?

2011-09-12T20:31:00.000-05:00

PAT AND MIKE

Released: June 13, 1952
Directed: George Cukor
Starring: Spencer Tracy, Katharine Hepburn, Aldo Ray

Patricia Pemberton (Katharine Hepburn) is an excellent lady athlete but she loses her confidence whenever her disapproving fiance shoots her that look. In a fit of anger she shows up the lady golfer she was playing and is persuaded by the country club bartender to join the women's golfing champion. She's a cinch to win but along comes her fiance who buggers it all up. Mike Conovan (Spencer Tracy) is a sports agent who sees her potential and his monetary possibilities. But Pat doesn't only play golf; her talents include tennis, boxing, basketball, etc. But each time she's about to make a name for herself in a sport, her fiance shows up, jittering her.
PAT AND MIKE is a very funny film that shows off Kate Hepburn's athleticism. Spencer Tracy is great at any role and that includes shady sports agent Mike. He's just wonderful. Aldo Ray, in his second film appearance, stars as the meat head of a boxer who is Mike's other athlete. He's so dumb, but adorable. Just another fantastic Tracy/Hepburn film. In fact it was their seventh out of nine pictures made together. A real gem. The only thing that really got my goat was at the end when they didn't kiss. I think nearly every couple should kiss at least once in these types of films but...whatever. You really don't see them kiss in any of their films....

You've never been married to a lobster,
LW

Annie Get Your Gun 'Fore I Shoot You

2011-09-10T21:23:00.000-05:00

ANNIE GET YOUR GUN

Released: May 17, 1950
Directed: George Sidney
Starring: Betty Hutton, Howard Keel, Louis Calhern

Colonel Buffalo Bill (Louis Calhern) and company role into town with manly and arrogant Frank Butler (Howard Keel). In each town they visit they offer a shooting contest which Butler always wins. But today Annie Oakley (Betty Hutton), a dirty young girl who happens to be a crack shot, rolls into town. She beats Frank at his own game and is offered to be part of the show by Buffalo Bill. She agrees mainly so she can hang around Frank who she's completely infatuated with. He slowly starts to fall in love with her, but in the back of his mind he knows that she's a better shot than he, and his ego won't stand for it.
ANNIE GET YOUR GUN is a very entertaining musical. Howard Keel is surprisingly dreamy. Well not surprisingly....but he's still dreamy. Betty Hutton is really great as Annie Oakley. Very glad that Judy Garland wasn't able to continue with the project. Of course, I really don't like Judy Garland...but that's beside the point. Not a very accurate account of Annie's life, but there are a lot of great songs, dancing, and shooting. And it is also very politically incorrect, but other than that...great film.

Hey Mister!
LW

Follow Your Feet and Follow The Fleet

2011-09-09T12:47:00.000-05:00

FOLLOW THE FLEET

Released: February 26, 1936
Directed: Mark Sanrich
Starring: Fred Astaire, Ginger Rogers, Randolph Scott

Bake Baker (Fred Astaire) and Bilge Smith (Randolph Scott) are two sailors about to embark on their shore leave (no this is not like ONE THE TOWN) when Bilge sees a photo of Bake and Sherry Martin (Ginger Rogers). Sherry was once Bake's dance partner but after she rejected his marriage proposal, Bake joined the Navy while she works at some really hot night spot that reeks with class. Of course, that is not the case. Sherry works at a club called Paradise where she and Bake meet up again. Bilge is more or less hit on by Connie (Harriet Hilliard), Sherry's sister who is more or less a square. She gets prettied up and suddenly Bilge is hitting on her. She and Bilge have a night of romance but he's turned off by her talk of marriage. Bake accidentally (on purpose) gets Sherry fired and promises to get her a new job but the two ship out before any of their relationships go further. But when they return their women are either not so willing, or too willing.
I really like this film because Fred is a sailor. I mean the guy is drinking beer and chewing gum and smoking cigarettes. It's really cute and different. Perhaps some folks don't like Fred as an average joe, but I think it works out rather well for him. Randolph Scott does a fantastic job as the meat head pal. Ginger and Harriet are both beautiful and play their roles excellently. Fred and Ginger's dancing is fantastic! Also Ginger dances and sings solo which is quite rare for their partnership. Lucille Ball and Betty Grable are also hanging around. A really great film. Plus there's a monkey in a sailor suit!

Gosh, you're glad to see me,
LW

That's The Heiress

2011-09-06T18:08:00.000-05:00

THE HEIRESS

Released: October 6, 1949
Directed: William Wyler
Starring: Olivia de Havilland, Montgomery Clift, Ralph Richardson

Catherine Slope (Olivia de Havilland) is a socially awkward girl during the mid to late 19th century. Her father (Ralph Richardson) is a wealthy doctor who makes it plain that he is disappointed in Catherine's lack of beauty, charm, and poise. Lavinia Penniman (Miriam Hopkins), Catherine's recently widowed aunt, has just moved in with the hope that she'll be able to do something with Catherine. At a party one night Catherine is introduced to Morris Townsend (Montgomery Clift) through her aunt. Morris is charming, sweet, and hopelessly devoted to Catherine. The two fall in love but Dr. Slope does not trust Morris. Catherine is an heiress and it is quite possible that Morris is only after her money.
Truth be told I had told myself that I wouldn't sit through this film, but I did. Mainly because I had to eat breakfast somewhere and the living room is the only place to sit. I found this movie extremely addicting. Every moment or so I'd say, "Ok, I'm going to turn off the TV!" and then BAM! something would happen and I'd have to stay on. Boring anecdote, I know.
This was a highly addictive film. Olivia de Havilland is very believable as the plain Jane despite the fact that she really is a pretty woman. Miriam Hopkins is rather annoying, but that's the point. Ralph Richardson is a complete and total jerkface. I really wanted to murder him. This is really a fantastic film. Clift is surprisingly handsome, and I say surprisingly because I'm not that familiar with his work. And he has a mustache later in the film which was super exciting for me. A fantastic film and if you're like me, then you'll probably be praying that Clift isn't a complete and total heel. To be honest, that issue isn't really addressed, it's just inferred. A real nail biter.

Yes, I can be very cruel. I have been taught by masters,
LW

You'll Find Me On Sunset Boulevard

2011-09-05T11:46:00.000-05:00

SUNSET BOULEVARD

Released: August 10, 1950
Directed: Billy Wilder
Starring: William Holden, Gloria Swanson

SUNSET BOULEVARD is perhaps one of the best films ever made. I may say that about alot of films, but this is on the level. And in retrospect, this entire situation we find Holden in is because he doesn't want to lose his car. All he wants is his car!
Joe Gillis (William Holden) is a down on his luck screenwriter who, in an effort to keep his car, drives into the garage of a seemingly empty mansion on Sunset Boulevard. The occupants of the house are Norma Desmond (Gloria Swanson), a delusional silent film star, and her servant, Max (Erich Von Stroheim). Joe becomes employed by her to polish up her screenplay for 'SALOME'. For the remainder of the film, Joe is a virtual prisoner. Norma becomes crazier and Joe finds out much more about his 'employer' than he ought to know.
When I first saw this movie my first reaction was, "I want to be that crazy when I'm an old lady," and to be honest, my observation still stands. That and all Holden wanted was his car. This really is Billy Wilder's best film. Yes I love his other films but SUNSET BOULEVARD has more of what his other films had. The cinematography is superb and the actors are great. Holden is a fantastic actor and he really humanizes Joe and even Norma. You really hope the beginning didn't happen, although deep down you know it has.
Montgomery Clift had been signed on first to play Joe Gillis, but he turned it down at the last moment. To be honest, I don't think Clift would have been able to do so good a job as Holden. For Norma Desmond, many silent film actresses were considered and approached before Wilder chose Gloria Swanson. Erich Von Stroheim was a silent film director and had actually directed Swanson.
SUNSET BOULEVARD is a mix of fiction and truth and it really is fascinating to see where the truth ends and fiction begins. Another bit of trivia is that SUNSET BOULEVARD had started off as a comedy but it just didn't sit right, so Wilder changed it into the 'noir' film it is now. I consider it to be film noir, though I'm sure many may argue otherwise.

I am big! It's the pictures that got small,
LW

The Love We Make

2011-09-02T10:23:00.001-05:00

THE LOVE WE MAKE

As the tenth anniversary of 9/11 approaches, the highly-anticipated feature length documentary THE LOVE WE MAKE, which chronicles Paul’s poignant and cathartic journey through the streets of New York in the aftermath of the World Trade Center's destruction, will be previewed at select theatres across the country.

For more information visit paulmccarney.com and click on news or click on the LEARN MORE button above.

A one time only event at select theatres :
• New York, NY - Regal Battery Park Stadium 11
• Los Angeles, CA - Regal LA Live Stadium 14
• Boston, MA - Regal Fenway Stadium 13 & RPX
• San Francisco, CA - Regal Hacienda Crossings Stadium 20 & IMAX
• Houston, TX - Edwards Houston Marq'E Stadium 23 & IMAX
• Chicago, IL - Regal Webster Place 11
• Washington, DC - Regal Gallery Place Stadium 14
• Atlanta, GA - Regal Atlantic Station Stadium 16 & IMAX

I won't be able to catch it, so someone had better.

LW

I've Got A Patch Of Blue

2011-09-02T10:16:00.000-05:00

A PATCH OF BLUE

Released: December 10, 1965
Directed: Guy Green
Starring: Sidney Poitier, Shelley Winters, Elizabeth Hartman

Selina D'Arcey (Elizabeth Hartman) was accidentally blinded by her mother, Rose-Ann (Shelley Winters), when she was five years old. She grows up with her mother and "Ole Pa" (Wallace Ford) in a dumpy, one room apartment. Her grandpa is a drunk, her mother's a prostitute, and Selina strings beads to contribute to the household income. Selina begins to spend her days in the park which is where she meets Gordon Ralfe (Sidney Poitier). The two slowly begin a friendship. Gordon teaches her things such as how to cross the street and maneuver around the grocery store. Despite their blossoming friendship, Gordon feels just a bit out of place because she is white and he is black which is reaffirmed whenever they go someplace as people tend to stare at them. Selina, unused to the kindness, begins to fall in love with Gordon. And perhaps even Gordon with her.
I'm sure I would have cried if it hadn't been so early in the morning. I just caught this film on TCM this morning as I was deciding what I should eat for breakfast. I can't believe I had voluntarily avoided this film. It is so beautiful. Sidney Poitier is absolutely marvelous as soft spoken, kind hearted Gordon. Elizabeth Hartman is rather believable as blind and abused Selina. The two are so sweet together. You just hate Shelley Winters and Wallace Ford. This is a deeply moving story about an interracial friendship, and possibly love, during the beginning of the civil rights movement. The wonderful thing about A PATCH OF BLUE, is that it isn't dated at all. It has aged wonderfully. Many of the issues brought up and discussed are still valid today. There are still people as cruel and horrible as Rose-Ann. Loads of people are still as racist and close-minded. I could only imagine the reactions of this film back in 1965. A PATCH OF BLUE is also the first film to have an interracial kiss. Oh Boy! This is a movie that has to be seen by everyone. Don't be a heel and avoid it like I did for years. I'm so glad TCM exists!

There Are Far Too Many Rivers To Cross

2011-09-02T09:54:00.000-05:00

MANY RIVERS TO CROSS

Released: February 4, 1955
Directed: Roy Rowland
Starring: Robert Taylor, Eleanor Parker, Victor McLaglen

Bushrod Gentry (Robert Taylor) is a Kentucky trapper who's got a way with the ladies. Every lady he meets wants to leave their intended and marry him, but Bushrod isn't the type to be tied down. His life is saved by Mary Stuart Cherne (Eleanor Parker) and she falls hard. She takes him to her house to recover and he's greeted by four brothers, her parents, and her fiance Luke Radford (Alan Hale Jr). Mary pulls every trick in the book to get Bushrod to marry her and she finally succeeds: by gunpoint! But that won't stop Bushrod from getting out of this shotgun wedding.
Admittedly, I expected much more from this film. I thought it was going to be more chasing and less setup. The first half is Parker trying to snare Taylor instead of trying to catch up with him after he ran off. As that was the general description I was given, huge disappointment. But it is still a very entertaining film. Alan Hale Jr. and Russel Johnson from GILLIGAN'S ISLAND fame are in this picture which is a delight. However you do see more Hale than Johnson. There's some fine shooting and lots of funny bits. Then again, it is a comedy western. Don't take it too seriously or expect much but an entertaining film.

Sometimes I'm bigger than I look,
LW

I'm Singin' In The Rain

2011-08-31T10:19:00.000-05:00

SINGIN' IN THE RAIN

Released: April 11, 1952
Directed: Stanley Donen, Gene Kelly
Starring: Gene Kelly, Donald O'Connor, Debbie Reynolds

This is perhaps one of the greatest musicals of the 20th century and for some reason I've been putting it off. Well no longer.
In a nutshell, SINGIN' IN THE RAIN is about the transition between silent films and talkies.The whole picture involves famous actors Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen). At the after party for their latest film "The Royal Rascal," R.F. Simpson (Millard Mitchell), the head of Monumental Pictures, shows everyone a talking picture. A few dismiss it, others are marveled by it, but no one is particularly worried. Meanwhile, Don falls for pretty Kathy Selden (Debbie Reynolds) who criticizes his acting abilities and fights off his advances. THE JAZZ SINGER turns out to be a big hit and everyone jumps on the 'Talkie' bandwagon. Even our famous couple Lockwood and Lamont. Only Lamont has the voice of a banshee and the acting ability of a dead fish. Perhaps with the help of his best pal Cosmo Brown (Donald O'Connor), Don can make their next picture "The Dueling Cavalier" a talking (and musical) success.
I'm pretty sure everyone has seen this film. If you haven't, what are you doing reading about it? Go and watch it! Our actors are at the prime of their careers. Following SINGIN' IN THE RAIN, O'Connor will go on to do several other fantastic A-List movies opposite so many great actors such as Bing Crosby and Marilyn Monroe. Debbie Reynolds, surprisingly enough, had never danced before she came onto this film. This film was followed by many more musicals such as I LOVE MELVIN, THE UNSINKABLE MOLLY BROWN, and other goofy comedies such as TAMMY AND THE BACHELOR or DIVORCE, AMERICAN STYLE. Gene Kelly will go on to more or less dominate 1950's musicals which is very fantastic. Cyd Charrise is Kelly's partner in the Broadway ballet which will open a door for her into musicals. She's really great. The title song is just wonderful and Kelly is rumoured to have had a fever of 103 when that scene was shot. Make Em' Laugh, O'Connor's solo number, is very funny. As is Moses Supposes with Kelly and O'Connor. Darn it, just go buy the soundtrack. Jean Hagen was nominated for best supporting actress and Donald O'Connor won a Golden Globe. This is just a fantastic film with wonderful acting, singing, and dancing. Go watch it. Do it. Now.

Finally, I can stop suffering and write that symphony,
LW

And I'll Take A Pair Of Silk Stockings

2011-08-28T21:35:00.001-05:00

SILK STOCKINGS

Released: July 18, 1957
Directed: Rouben Mamoulian
Starring: Fred Astaire, Cyd Charisse, Janis Paige

SILK STOCKINGS is a musical remake of the 1939 film NINOTCHKA. Peter Illyich Boroff is a composer who is being sent back to Russia, but he doesn't want to go back. Steve Canfield (Astaire) doesn't want him to go either as Steve wants Peter to compose the music for the next picture he's producing. The Soviet Union sends Brankov (Peter Lorre), Markovitch (George Tobias), and Bibinski (Jules Munshin) to bring Peter back. The three are corrupted by Steve and when they too refuse to return to their old life Nina ‘Ninotchka’ Yoschenko (Charisse) is sent to bring them back. Any attempts at fun seem to end with the arrival of our workaholic Ninotchka, but Paris starts to get to her.
This is a fairly good remake of NINOTCHKA although I wouldn't have put Cyd Charisse in the title role, mainly because she has a poor Russian accent. I'm nitpicky about those things, but she's still very good at her part. Jules Munshin was in this picture which delighted me so because you don't see him in many films. Peter Lorre is very funny and Janis Paige is does a good job as the ditzy movie star. She was like a dumbed down version of Esther Williams. The songs are rather delightful and Charisse has what many call the striptease dance. A pretty entertaining film.

Oh, you mad romantic Russians!
LW

He That Troubleth His Own House Shall Inherit The Wind

2011-08-25T18:49:00.000-05:00

INHERIT THE WIND

Released: July 21, 1960
Directed: Stanley Kramer
Starring: Spencer Tracy, Frederic March, Gene Kelly

Based off of the play with the same name, INHERIT THE WIND is a fictionalized account of the Scopes "Monkey" Trial of 1925. The playwrights wrote it in response to McCarthyism and the affect it had on intellectual freedom.
Bertram T. Cates (Dick York in his last feature film) has been arrested for teaching the theory of evolution. He writes to the Baltimore Herald who sends E. K. Hornbeck (Gene Kelly) to cover the case. The Baltimore Herald also sends Henry Drummond (Spencer Tracy) to defend Cates; Matthew Harrison Brady (Frederic March) is the prosecuting attorney. Brady has the support of the entire town due to his religious views while the entire town hates Drummond.
I really love this film. Great story, acting, and fantasmic cinematography. It really just blows me away. INHERIT THE WIND really gets the feel and energy of the McCarthy trials and the injustice done to hundreds of people. Although the initial fight is fought over creationism vs Darwinism, Drummond is fighting for the right to think, which I think is just marvelous. Kelly is fantastic as the cynical news reporter. For those who think he can't act, just watch this film. He's so amazing. Spencer Tracy and Frederic March play off of each other so well. They know their characters inside out and they are no longer Tracy and March, but Drummond and Brady. If Dick York looks familiar it's because he later went on to play Darin on BEWITCHED. He's the first Darin, although the second Darin is also played by a man by the name of Dick. A fantastic film with a wonderful story. It really gets you thinking and even if we drop the theme of McCarthyism, it relates quite well to the politics of today. If you get the chance, read the play. It's just as brilliant.

I'm admired for my detestability,
LW

By The Way, You Belong To Me

2011-08-25T10:36:00.000-05:00

YOU BELONG TO ME

Released: October 22, 1941
Directed: Wesley Ruggels
Starring: Barbara Stanwyck, Henry Fonda

Peter Kirk (Fonda), in his attempts to impress Helen Hunt (Stanwyck) while skiing, he falls and becomes injured. Helen turns out to be a doctor and Peter is insistent that she treat his ailment. After pretending to have a relapse, Peter asks Helen to marry him which she cautiously accepts. The two are married but Helen won't give up her practice which leads to a very jealous Peter.
This is the last pairing of Fonda and Stanwyck, the first being in 1938 in THE MAD MISS MANTON. YOU BELONG TO ME was released the same year as THE LADY EVE and so it is not much compared to that wonderful comedy. But YOU BELONG TO ME is funny in its own right. This is definitely a gender role switch. I couldn't help laughing at Fonda as the house husband and Stanwyck the working wife. For 1941, that's something quite ahead of its time. This isn't a serious movie. In fact I watched it while packing. It doesn't necessitate your full attention. But I'm sure it's just as enjoyable with a big bowl of popcorn on a Saturday night. Fonda really carries all of the humour in this film as the jealous husband. And that grimace!

What you said sounds right...but it must be wrong,
LW

I Love Melvin And I Don't Care Who Knows

2011-08-23T10:09:00.000-05:00

I LOVE MELVIN

Released: March 20, 1953
Directed: Don Weis
Starring: Donald O'Connor, Debbie Reynolds

Never heard of this film either? I don't particularly blame you. I blame the movie distributors of America. Anywho....
I LOVE MELVIN stars Donald O'Connor and Debbie Reynolds fresh off of SINGIN' IN THE RAIN (well...Donald managed to squeeze in another Francis film...)
Judy LeRoy (Debbie Reynolds) is a chorus girl who dreams of becoming a star. Melvin Hoover (Donald O'Connor) is the photographer's assistant on LOOK Magazine but he dreams of becoming a photographer in his own right. The two bump into each other but pay each other no mind. They meet some time later when Melvin watches her as a football on Broadway. He's perfectly smitten. He convinces her that he's a photographer for LOOK and asks to take her picture. The two fall in love (of course) but there's Harry Flack, who Judy's Pop wants her to marry. In order to stop the engagement Melvin promises to get her picture on the cover. Oh Boy!
Donald O'Connor didn't have many opportunities to star in an A-movie and when he did, he put in his all. Not that he didn't do the same for the B's, but there's just a different type of energy. Maybe I've seen the Francis movies far too many times. It's a shame that most of his movies aren't available on DVD or even VHS, but luckily I LOVE MELVIN is available from the Warner Archive collection.
Debbie and Donald are just adorable together and it's nice to imagine what would have happened if Kathy Selden left Don Lockwood for Cosmo Brown. It didn't happen, so it's nice we have I LOVE MELVIN. Donald is charming and Debbie is quite stunning. Donald dances/taps on roller skates, has a dance similar to 'Make 'Em Laugh', as well as carrying most of the humour. The costumes are wonderful and there's a dance number involving three Fred Astaire's and Gene Kelly's. If you like it so much you can get the screensaver from TCM. Yes, it is my background. Jim Backus from GILLIGAN'S ISLAND is the photographer who also adds humour.

Propose! To your father?
LW

I'm Quite Aware It Happens Every Spring

2011-08-22T14:57:00.000-05:00

IT HAPPENS EVERY SPRING

Released: June 10, 1949
Directed: Lloyd Bacon
Starring: Ray Milland, Jean Peters, Paul Douglas

Ray Milland is Vernon Simpson, a chemistry professor who, every spring, gets distracted and unfocused due to his love for baseball. He's been working on an experiment that will give him enough money to marry the Dean's daughter (Jean Peters). But as his experiment is nearly finished, a baseball crashes through the window, breaking it. But the fluid that is created by the subsequent crash repels all wood, giving Vernon a marvelous idea. He packs his bag and heads to the St. Louis stadium to try out as their newest pitcher by the name of Kelly.
Ray Milland is perfect as Vernon/Kelly. Jean Peters is a vision and Paul Douglas is great as the street smart, smooth talking catcher. Milland is just a great nerd. What makes this movie great is that he doesn't know how to pitch but somehow, he manages to strike out every time, thanks to his "hair tonic." This was actually a pretty popular film at the time and so I'm quite surprised that it hasn't been released on DVD. I was lucky to find a VHS copy at another library. I'd say mine, but it wasn't. If you manage to find a copy, watch it. It's awfully funny and very enjoyable.

I hadn't thought of that,
LW

Have You Heard About The Miracle of Morgan's Creek?

2011-08-21T15:27:00.001-05:00

THE MIRACLE OF MORGAN'S CREEK

Released: January 19, 1944
Directed: Preston Sturges
Starring: Eddie Bracken, Betty Hutton, Diana Lynn

And we once more to the works of Preston Sturges. Perhaps I'm just trying to prove how disappointed I was in CHRISTMAS, but I've always loved THE MIRACLE OF MORGAN'S CREEK. Eddie Bracken and Betty Hutton are just so funny and play their parts endearingly.
Betty Hutton is Trudy Kockenlocker, the prettiest girl in town who's just been asked by the "boys" to attend their send off party. She agrees, but Norval Jones (Eddie Bracken) wants to take her to the pictures. Well Trudy's dad (William Demarest), the town constable, won't let her go, so she calls Norval and tricks him into taking her out. Norval sits through three movies alone while Trudy goes out and has a too good of a time. In all the excitement, Trudy got married, but to whom she can't remember. To make matters worse our dearest Trudy is pregnant. If only she can find someone to marry her... Hey, Norval....
THE MIRACLE OF MORGAN'S CREEK was made, really, to challenge the Hays Code. It doesn't break any of the codes, but any human being with half a brain could see right through the movie and all of it's innuendos. Eddie Bracken and Betty Hutton are just great together. Bracken is so cute and funny, and Betty is so pretty. Diana Lynn is fantastic as Betty's younger, sarcastic sister. This is probably one of Sturges' funniest pictures with a wonderful message.

Oh, Norval, this is so sudden!
LW

That's How You Play The Mating Game

2011-08-19T15:05:00.001-05:00

THE MATING GAME

Released: April 29, 1959
Directed: George Marshall
Starring: Debbie Reynolds, Tony Randall

Despite what other may say about this film or the careers of both Debbie Reynolds and Tony Randall, THE MATING GAME is one enjoyable romp through the haystack.
Tony Randall is Lorenzo Charleston, an IRS agent who's task it is to figure out how much back tax 'Pa' Larkin (Paul Douglas) owes the government. Pa and Ma Larkin welcome Lorenzo in with open arms, unaware of what he wants. All they know is that they want him for their oldest daughter, Mariette (Debbie Reynolds).
There is some pretty great chemistry between our stuffed shirt Randall and the free spirited Reynolds. Reynolds was always given tomboyish roles or farm girls, something I don't think suits her too well, but she always makes due. This isn't the best movie in the world but it's awfully funny and keeps you up and interested. There are many funny scenes including a very drunk Tony Randall. Paul Douglas gives a great performance as Pa Larkin. I was relieved to find out this wasn't a musical. Debbie sings the title song, but only over the titles, thank goodness.

While you appraise me, I'll appraise your property,
LW

Beau Geste Gallant Gesture

2011-08-18T21:27:00.000-05:00

BEAU GESTE

Released: September 15, 1939
Directed: William A. Wellman
Starring: Gary Cooper, Ray Milland, Robert Preston

BEAU GESTE is a remake of the 1926 silent film based off the book both by the same. The movie follows the exploits of the Geste brothers Beau (Cooper), Digby (Preston), and John (Milland) following (and preceding) the theft of the 'Blue Water' gem.
The Geste brothers were orphaned as children and were adopted by their Aunt Patricia, who also has a ward by the name of Isobel (Susan Hayward), as well as a horrible cousin who is forced upon the children as companion. The children grew up together with Beau being the leader, Digby, his second, and John as the younger, yet eager brother. After one of the five mentioned young adults steals the Blue Water, Beau and Digby, run out and join the French Legion. John, feeling abandoned and unable to believe his brothers took the jewel, join after them. And thus adventure begins!
This is a really fantastic movie. I haven't seen the original film, but I'm sure it was equally good, though not as superior as this classic. An adventure/war film needs sound to make it seem real and besides, all three protagonists have such wonderful voices that it'd be a sin not to hear them. The chemistry between the brothers is fantastic. The movie doesn't dwell too far from the novel which I'm glad about. Each of our brothers went on to be great actors and have wonderful careers. I still can't believe The Music Man is in this flick! Anyway, It's really fantastic and very heartwarming. And a plus is that Donald O'Connor plays a young Beau.

He puts us both to shame, doesn't he, Beau?
LW

Our Lovely Cover Girl

2011-08-18T12:43:00.001-05:00

COVER GIRL

Released: March 30, 1944
Directed: Charles Vidor
Starring: Rita Hayworth, Gene Kelly, Lee Bowman

Rita Hayworth is Rusty Parker, a dancer at Danny McGuire's (Gene Kelly) Night Club. After hearing about a contest for being the new 'cover girl,' Rusty gets the idea that it could further her career. Unbeknownst to Danny and the other girls at the club, Rusty gets the part, mainly because she bares an uncanny resemblance to her grandmother who John Coudair, the magazine editor, was madly in love with. Rusty becomes the 'It' girl of the moment much to the chagrin of Danny who feels he can't offer her the things she needs to be happy much to the happiness of Coudair and Wheaton (Bowman).
Truth be told I swallowed my pride and watched this film just so I could see Gene Kelly in another film. I really don't like Rita Hayworth. Well if you don't like Rita Hayworth and really love Gene Kelly, than this movie falls flat. There wasn't enough Kelly to satisfy me and too much Hayworth for me to glare at. This movie is just an excuse to see Hayworth in color. She sings, dances, and does all the usual Hayworth things. Kelly has one glorious (or should I say two?) dance solo in the street but that's about half way through the film. But if you're not me and like Rita Hayworth than you get everything except the kitchen sink. Phil Silvers is here as a sort of funny sidekick, but I've always found Phil Silvers annoying. There are a few flashback scenes set in the gay 90's involving our little player. Lots of songs. Not much dancing. I'm sure others like it that way; I'm not one of them.

Why don't you be a good boy and scram?
LW

Oh Marty Dearest

2011-08-17T09:36:00.001-05:00

MARTY

Released: April 11, 1955
Directed: Delbert Mann
Starring: Ernest Borgnine, Betsy Blair, Esther Minciotti

MARTY is probably the most heartwarming movie I've ever seen. It is really a beautiful film. Ernest Borgnine is simply wonderful as lonely and loveless Marty. Betsy Blair is sweet as his love interest. The supporting cast is superb. It's no surprise that MARTY was nominated in eight categories, winning four, including Best Picture.
MARTY follows two days in the title character's life. Marty (Borgnine) is a 34 year old Italian butcher who is constantly pressured and harangued by his neighbors and mother to get married. After all, all of his kid brothers and sister are married. But Marty is resigned to see things just the way they are: he's fat and ugly and he just don't got what women want. After his mother tells him to go out to the Stardust Ballroom, Marty goes with his pal Angie. And that's where Marty meets Clara (Blair). Sweet!
Of course it's not all rainbows and butterflies but you really root for the two. They're both "dogs", and each are lonesome and just want someone to love them. You can really relate with Marty and Clara. They each have their sorrows and joys and you learn so much about them that it's kind of sad how they aren't real people in your lives. MARTY is one of those films that gives you hope in life and all that sort of mush. But it's also just a fantastic film with a fantastic script, acting, direction, cinematography; the list is endless. Everyone should see this movie.

You get kicked around long enough, you become a professor of pain,
LW

That's Quite A Fine Madness

2011-08-15T10:11:00.001-05:00

A FINE MADNESS

Released: June 29, 1966
Directed: Irvin Kershner
Starring: Sean Connery, Joanne Woodward, Jean Seberg

In the midst of Bond films, Sean Connery found time to do this little comedy. Is it fantastically marvelous? Of course not. But it has some genuinely funny moments and it's nice to see Connery in something other than his usual role(s).
Samson Shillitoe (Connery) is a poet who's lacking inspiration for his epic poem. He's also behind in his alimony to his previous wife and much of the film is composed of him trying to write and being chased by a debt collector and eventually police. Shillitoe, despite his faults, is quite a ladies' man, which tends to get him into much trouble. And yet his wife Rhoda (Woodward) sticks by him gallantly. She is so concerned with his well being that she goes to a psychiatrist to help him.
A FINE MADNESS is actually a very fine madness. It isn't quite well developed and true it's a bit difficult to believe Connery is a poet, but he really plays his part well that you can't blame his as so much as the script. Joanne Woodward is just marvelous as Rhoda and the two have quite a nice chemistry going. There are several running gags, that if you're an impatient type of person, might get old quickly. Fortunately I'm not so much. Shillitoe isn't the nicest guy, but you can't really help but love him.

The words of Mercury are hard after the songs of Apollo,
LW

I Believe The Bride Came C.O.D.

2011-08-13T18:13:00.002-05:00

THE BRIDE CAME C.O.D.

Released: July 12, 1941
Directed: William Keighley
Starring: James Cagney, Bette Davis

THE BRIDE CAME C.O.D. is one of those rare occasions where drama stars turn to comedy, screwball comedy at that, and make a success of it. Joan Winfield (Davis) is an oil heiress, who after very little persuading, decides to elope with a musician (Jack Carson) whom she's only known for four days. Steve Collins (Cagney) is the lucky pilot who's going to get them to Las Vegas, but he's strapped for cash and decides to double cross the heiress and take her back to her father: unmarried. Hilarity ensues.
The film isn't exactly the best movie ever made, but for two actors who were pretty straight shooters, this whirlwind adventure is just what the doctor ordered. Cagney is pretty fantastic as the jerky pilot and Bette Davis is rather funny when she feels like it. There are some rather amusing supporting characters and some pretty fancy flying. Jack Carson is, as always, magical. This movie didn't make much headway at the time of its release, but it's an entertaining film that will surprise you a bit or maybe just reaffirm your suspicions. And even though at the time it was generally announced (or at least implied) that this was the first pairing of Cagney and Davis, they had been in JIMMY THE GENT several years earlier.

Let's have a nice, clean dirty fight,
LW

A Poke In Adam's Rib

2011-08-11T08:11:00.002-05:00

ADAM'S RIB

Released: November 18, 1949
Directed: George Cukor
Starring: Spencer Tracy, Katharine Hepburn, Judy Holliday

Wow! What's not to love about this film? Alright...I'll shut up....
Tracy and Hepburn play Adam and Amanda Bonner, two married lawyers who are on opposite ends of an attempted murder trial. Adam is the Assistant District Attorney who thinks he's going to get an open and shut case while Amanda, who owns her own practice, slides into the case like only a woman can. As things heat up in the court room, the tension builds up at home. It's the ultimate battle of the sexes. Judy Holliday is the "murdress" while Tom Ewell is her cheating husband and Jean Hagen (SINGIN' IN THE RAIN) is his mistress.
It's delightful to relive the chemistry that overflowed between Tracy and Hepburn. These two made nine films together and it's no surprise to see why. Their relationship in the film is so beautifully destroyed that it kind of breaks your heart. ADAM'S RIB is funny, enlightening, and makes you feel good inside. The supporting players are superb and chances are you'll have seen them someplace before. And 'Farewell Amanda' will probably get stuck in your head.

No matter what you think you think, you think the same as I think,
LW

My Dream is Yours, Apparently

2011-08-10T08:40:00.002-05:00

MY DREAM IS YOURS

Released: April 16, 1949
Directed: Michael Curtiz
Starring: Jack Carson, Doris Day, Lee Bowman

Jack Carson is Doug Blake, a talent agent whose prize (and only) client, Gary Mitchell (Lee Bowman), has given him the boot in order to further his career. Blake would be fine with that if Gary wasn't such a backstabbing, conceited guy. Being unable to get Gary to renew his radio contract, Blake goes out to prove that he can make a star not only once, but twice. And the star he finds is down on her luck, single mother Martha Gibson (Doris Day).
MY DREAM IS YOURS is a lighthearted film with lots of songs and some funny bits. I'm not a huge Doris Day fan so it's not the best movie in the world, but Jack Carson is wonderful as fast talking, deal making Doug Blake. He's such a likeable guy, and I think that's one of the wonderful things about Jack Carson. Eve Arden is Vivian Martin who gets roped into Blake's scheme. You'll probably finding yourself hating or at least not liking Doris for a brief period but she makes up for it. And an interesting part, although I think a rather badly done part, of the film is the Freddy's dream sequence involving Bugs Bunny and Carson and Day in bunny outfits. Appropriate bunny outfits. I think compared to ANCHORS AWEIGH and SLIPPERY WHEN WET, the animation isn't that great, nor do they really use the idea to its fullest extent. Either way, it's a nice film. Not the best, but for a lazy afternoon, it'll brighten it up a bit.

We can't give out that information,
LW

The Lady Eve Wants You

2011-08-09T12:50:00.002-05:00

THE LADY EVE

Released: March 21, 1941
Directed: Preston Sturges
Starring: Barbara Stanwyck, Henry Fonda, Charles Coburn

Gosh I love this movie! OK, so Barbara Stanwyck is Jean Harrington, the dazzling and beautiful con artist who, like her father, "Colonel" Harrington (Coburn), are out to fleece Pike's Pail heir, Charles "Hopsie" Pike (Henry Fonda). Considering Pike has "been up the Amazon for a year," it's a relatively easy job for Jean to make him fall head over heels over her. The only problem she's fallen too. Unfortunately Pike finds out, thanks to his bodyguard (of sorts), that she and the Colonel are really card sharps. That's when Jean gets her payback. She disguises herself as Lady Eve and makes a mess out of Hopsie's life.
Henry Fonda makes a rare appearance in a comedy and he's marvelous at it. He falls over himself and is adorable as the lovesick fool. Barbara Stanwyck is at her (ahem) sensual best. She's so stunningly beautiful and wonderfully funny. Her costumes were created by Edith Head (a brilliant designer) and you can just see how easy it was to make Stanwyck glamorous.
This is really one of Sturges' best work. It trumps CHRISTMAS any day of the week. The story is delightful, the acting superb and generally a great film. If you haven't seen this one, you just haven't lived.

Positively the same dame,
LW

You Had Better Thank Your Lucky Stars

2011-08-07T13:22:00.003-05:00

THANK YOUR LUCKY STARS

Released: September 25, 1943
Directed: David Butler
Starring: Humphrey Bogart, Eddie Cantor, Bette Davis

THANK YOUR LUCKY STARS was made by Warner Bros as a WWII fundraiser, and therefore is filled to the brim with actors and actresses. Two theatre producers (Edward Everett Horton and S.Z. "Cuddles" Sakall) are putting on a charity show for war relief and are both quite eager to get Dinah Shore. The only problem is that egotistical Eddie Cantor won't let them have her unless he's calling the shots. On the downtrodden path, are Randolph (Dennis Morgan), Pat Dixon (Joan Leslie), and Eddie Cantor look alike, Joe (played by Eddie Cantor), who are trying to make it in show business.
This story is the reason for every singing, dancing, and joking star you see. And despite Bogart having first billing, his cameo is rather brief, but worth the wait. In fact, perhaps the most seen star is Dinah Shore, who, unlike Cantor, doesn't really move the 'plot.' John Garfield, Errol Flynn, Ida Lupino, and Bette Davis all sing. You get to see some great numbers and songs. A nice piece of history. Even then, it's great to see some of the greatest actors of all time together having fun.

Hey! I must be losing my touch,
LW

Won't You Give My Regards to Broad Street?

2011-08-01T19:40:00.003-05:00

GIVE MY REGARDS TO BROAD STREET

Released: October 23, 1984
Directed: Peter Webb
Starring: Paul McCartney, Bryan Brown, Ringo Starr, Barbara Bach, Linda McCartney

So the second show of McCartney starts in half an hour and I am clearly still suffering, so I rewatched GIVE MY REGARDS TO BROAD STREET. To be quite honest, BROAD STREET, is for die hards only, in the way HEAD, MAGICAL MYSTERY TOUR, and Buster Keaton's Educational/Columbia pictures cheaters are. Therefore, this must be taken with a grain of salt.
The plot is about as thin as women's t-shirts, but that's a complaint for another day. Paul's newest album is missing, and so is the fella who's supposed to have had them. The guy has a shady past and therefore all signs point to him having stolen it. That's more or less the plot....but to be honest no one - and I mean no one - watches it for that reason. I simply love to watch all the songs or I suppose to say properly, the music videos. Some may not like the style or whatever, but I like the music. In fact, the album did much better than the film itself back in '84. Of which I don't blame. I listen to that record all the time.
So if I were to judge as a normal human being, definitely pass it up, but as I'm a die hard, albeit poor, fan, this film is definitely something to watch on a rainy afternoon. The story may suck pickles, but the music is dazzling. Plus it's nice to see Linda, and Ringo. My favorite bit of his is when he's looking for his brushes.

It's gonna be one of those days,
LW

Your Sunny, Funny Face

2011-08-01T13:18:00.003-05:00

FUNNY FACE

Released: February 13, 1957
Directed: Stanley Donen
Starring: Audrey Hepburn, Fred Astaire, Kay Thompson

FUNNY FACE is, surprisingly, not a very well known musical. I mean if you were to name the musicals of the 50's, FUNNY FACE probably wouldn't make your list. Just the same, it's a rare gem.
Fred Astaire is Dick Avery, a fashion photographer for Quality Magazine, of which Maggie Prescott (Thompson) is president of. Unhappy with the atmosphere of the studio, Dick, Maggie, and their entire entourage drive down to a dark, dusty bookstore in Greenwich Village where our Jo Stockton (Hepburn) works. He takes a picture of her and is smitten with her 'funny face.' In fact everyone thinks it's funny, including our leading lady. Being a philosopher and general hater of fashion, she's not happy with them. But Dick thinks she can be the 'Quality' girl and thus she is whisked away to Paris where fun (and trouble) ensues.
Hepburn did lots of films in Paris, and when I think of all of them, FUNNY FACE, doesn't exactly pop into my head. The movie is less about Paris as it is about fashion and being yourself. Kind of. Sure, there's a love story, but all musicals tend to have one. And besides, Fred Astaire and Audrey Hepburn isn't the worse age difference. Gary Cooper and Hepburn in LOVE IN THE AFTERNOON is a bit weirder, but that's just me. Maybe it's because Fred is still fit and dances wonderfully despite his age. He's just the kind of guy you fall in love with no matter how old.
FUNNY FACE is directed by Stanley Donen who directed other great films such as SINGIN' IN THE RAIN, SEVEN BRIDES FOR SEVEN BROTHERS, IT'S ALWAYS FAIR WEATHER, and CHARADE. The songs are quite memorable and enjoyable. I only had a problem with one, but I'm nitpicky like that. Hepburn also does her own singing, unlike in OUR FAIR LADY, as well as having a solo 'dance.' To be quite honest, it's more interpretative dance...of which I'm not a fan of. Think ballet/dance, but without the grace or elegance of Gene Kelly. It kind of attempts to knock his style, but if you can't accomplish the feat, than don't try.

Take the picture, take the picture!

It's Been A Hard Day's Night

2011-07-31T18:58:00.003-05:00

A HARD DAY'S NIGHT

Released: July 6, 1964
Directed: Richard Lester
Starring: John Lennon, Paul McCartney, George Harrison, Ringo Starr

In honor of Paul McCartney playing tonight (and tomorrow) at Wrigley Field in my beautiful hometown of Chicago, I rewatched A Hard Day's Night and all the other Beatles' films I own. But as this is their first, I thought it all the more appropriate. And no, I'm not going. I don't have money and therefore all of my dreams are crushed.
But before I go commit suicide, I'll tell you all about this wonderful film.
A Hard Day's Night is a sort of fake documentation of a day in the life of The Beatles. Although the scenario and plot is far fetched and not at all likely to happen (which is all the more increased in HELP!, YELLOW SUBMARINE, and MAGICAL MYSTERY TOUR) the hysteria surrounding the boys' is. John, Paul, George, and Ringo are going to play on television, but Paul's mixer of a grandfather messes with Ringo's head and he goes missing. There's lots of fun scenes, memorable one liners, and fabulous romps. Think Monkees, but awesomer. Plus before The Monkees... but you get the idea.
A HARD DAY'S NIGHT needs to be watched by nearly everyone in the universe. It's really that great. It's fun to hear the boys play, mess up, and do wonderful things. You get to hear them talk, crack jokes, and be magical. So this is a pretty terrible review, but when the plot is pretty convoluted and The Beatles super adorable, it's kind of hard to pay attention to anything else. The point is, watch it. You won't regret it. Unless you're an uncultured slob who is tone deaf and lacks any type of sense of humour. And I'd like to add that John says, "Please sir, could I have one to surge with, sir, please, sir?" Some people think he says other weird things....

I'm a drummer, not a wet nurse,
LW

Stay Carefree

2011-07-29T19:48:00.004-05:00

CAREFREE

Released: September 2, 1938
Directed: Mark Sandrich
Starring: Fred Astaire, Ginger Rogers

CAREFREE is just that. It is the shortest of the Astaire/Rogers pictures, and only has four songs. But each song is delightful, and based on the premise of the film, four songs is really too much.
Astaire is Dr. Tony Flagg, a psychiatrist who's newest patient just so happens to be the lovely Ginger Rogers. Amanda Cooper (Rogers) is Flagg's best friend's girl, and he isn't too keen on the idea of dealing with a mind changing blonde. But, rather than Astaire falling for Rogers, Rogers falls for Astaire. It's refreshing to see Rogers do the chasing. The only other time she did so was in SWING TIME, another great Astaire/Rogers film.
One beef I had with the film was Astaire as a dancing psychiatrist. Sure he explains it early on in the film, but I don't exactly think of psychiatrists dancing. Not that they don't, I'm sure some do, but it just doesn't work so well for Astaire. Another is the ending. I like it except for one certain make up choice. They just shouldn't have done it.
Other than that, a real great film. Astaire and Rogers have wonderful chemistry, and they dance together like no other. An Astaire/Rogers picture always guarantees a good time with laughs and general good feelings. Ginger sings a solo song, which is great because she never really got the chance to do some singing despite her beautiful voice, and Fred does a fantastic golf dance.

Men like him should be shot down like dogs!
LW

You Mean It's Not Christmas In July?

2011-07-25T11:24:00.003-05:00

CHRISTMAS IN JULY

Released: October 18, 1940
Directed: Preston Sturges
Starring: Dick Powell, Ellen Drew

CHRISTMAS IN JULY is one of those screwball comedies of Preston Sturges that falls just a little flat. Compared to THE LADY EVE, THE MIRACLE OF MORGAN'S CREEK, and THE PALM BEACH STORY, CHRISTMAS IN JULY just doesn't have that pizazz that Sturges' other films have. Of course, this is only his second directorial job, and as such, his better films would come much later.
Perhaps it's not the direction, but rather the acting and story. Dick Powell is Jim MacDonald, a regular joe who has a habit of entering contests in the hope of winning enough money to marry his girl (Ellen Drew) and take care of his mom. Three of his coworkers fake his winning the "Maxford House Coffee Slogan Contest" with a $25,000 grand prize. Naturally MacDonald goes on a shopping spree of Christmas proportions. Of course, he really didn't win, which causes much trouble for our unlikely hero.
The first half of the movie is Powell dreaming, scheming, and "winning." The second half, or more like the last thirty minutes, is Powell spending and doing absolutely nothing. MacDonald is a dry, boring, and hopeless character. He doesn't do a thing. He just sort of takes what life gives him. That may work for novels and even plays, but it just doesn't work for the silver screen. You can tell Powell is trying to make the part something, but he fails.
You'd think the writing would be better considering Sturges has quite a record up until this point, but perhaps since it's based off of his play, it's just a bit dry.
Not that it isn't entertaining, because it is. There are a few bits that I found highly amusing, but other times, I was just so bored that I fast forwarded it. CHRISTMAS IN JULY is highly predictable, and a piece of light fluff. It's good for background noise or just if you have a bad habit of leaving the TV on, as I do. Not much substance, but it's good for a quick watch on a lazy Sunday afternoon. Besides, it's Preston Sturges. His best work is yet to come.

If you can't sleep, it isn't the coffee. It's the bunk.
LW

The Name's Harper

2011-07-24T17:25:00.003-05:00

HARPER

Released: February 23, 1966
Directed: Jack Smight
Starring: Paul Newman, Lauren Bacall

HARPER is a mystery/thriller type film. Think Maltese Falcon or The Big Sleep, but no Bogey and in the 60's. Paul Newman is Lew Harper, a private detective who is hired by Mrs. Sampson (Bacall) to find her missing husband. Of course, he's only been missing for a day...
HARPER is a really great throwback to the detective movies of the 30's and 40's. Newman is gorgeous and funny. He's tough and edgy, and plays the person everyone wants him to be, except probably his estranged wife, played by Janet Leigh.
Lauren Bacall is right at home in this picture, having had plenty of practice in her films with husband, Bogey. The rest of the characters range from femme fatales, mercenaries, friend, enemies, and general red herrings. HARPER is a fantastic film with a fantastic story and wonderful acting. Definitively a must see film. And here's a bit of trivia. HARPER is based off the novel, The Moving Target by Ross MacDonald. The character's name is Lew Archer, but was changed to Harper. It's rumoured that Newman wanted it to start with an 'H' due to his successes with 'H' titled films. There is also a sequel, but that one's named after the book.

Only cream and bastards rise,
LW

That's My Favorite Wife

2011-07-18T20:53:00.004-05:00

MY FAVORITE WIFE

Released: May 17, 1940
Directed: Garson Kanin
Starring: Irene Dunne, Cary Grant

MY FAVORITE WIFE is a wonderful screwball comedy starring Irene Dunne, Cary Grant, Randolph Scott, and Gail Patrick. Irene Dunne is Ellen, who was stranded on an island for seven years. Nick Arden (Grant), on the morning of Ellen's return, has her declared her legally dead and remarries to Bianca (Patrick). Ellen, however, refuses to give up her husband and seeks him out on his honeymoon with his bride. Hilarity ensues.
This is perhaps my favorite Grant/Dunne film. I love how Cary gets himself into deeper trouble than he's already in. It really just escalates.
Cary Grant is brilliantly funny, and so is Dunne, when she's given the chance. Gail Patrick is her usual bitchy self, and Randolph Scott is more of a piece of meat than a supporting player, but I suppose that's alright. His and Cary's chemistry is great. Probably because they were best friends and had been living together for eight years at the time the movie was released. No Cary Grant film is really terrible, but then, I'm rather dedicated. It's an enjoyable movie with a reasonably predictable plot, although very unpredictable antics. At least I think so. The ending is superb.

I bet you say that to all your wives,
LW

Apparently, Not Anything Goes

2011-07-17T20:30:00.003-05:00

ANYTHING GOES

Released: April 1956
Directed: Robert Lewis
Starring: Bing Crosby, Donald O'Connor, Jeanmaire, Mitzi Gaynor

ANYTHING GOES is one of those oft overlooked musicals of the 50's. Perhaps because the plot is a bit predictable, and at times, boring. The one song in particular that I found boring was probably Crosby's and Jeanmaire's duet, but then again, I'm not big on crooning.
ANYTHING GOES is a remake of the 1936 film and stage play, and although it takes place on an ocean liner, that's the only similarities between this film and its earlier counterparts.
Crosby is Bill Benson, an aging Broadway star. O'Connor is Ted Adams, a fresh, young TV personality. They've been put together to star in a Broadway show, but they don't have a leading lady. Benson heads to London, Adams, Paris. In each city they meet and sign their leading lady, but they need to get rid of one. Naturally, each falls for the others choice.
Kind of predictable, but then again, one doesn't watch movie musicals for a stimulating diversion. Each song is enjoyable. Crosby sings wonderfully. O'Connor is a dancing genius. Mitzi Gaynor is dazzling, and Jeanmaire, well, I've never been able to pinpoint her exactly no matter how many times I've seen ANYTHING GOES. Maybe it's because I don't like her hair, or her French accent....
A fairly weak plot, but I've never watched ANYTHING GOES for the plot. I like the songs, plus O'Connor is in a good movie, for once. The poor kid was always put with that mule... Nice dances, songs, and general look and feel of a 50's movie musical. Don't watch if you want to see the play or 1936 film. The similarities are zero. Except that Crosby is in that film too.

I've got myself a case of moonburn,
LW

Remind Me to Go to Paris When it Sizzles

2011-07-14T09:01:00.003-05:00

PARIS WHEN IT SIZZLES

Released: April 8, 1964
Directed: Richard Quine
Starring: William Holden, Audrey Hepburn

PARIS WHEN IT SIZZLES is a great film with lots of inside jokes directed at the film, or at least screenwriting, industry. For those who are film makers, screenwriters, or at least aware of and like the industry and know how, it is all the more enjoyable. You really get to "see" a film being made. In fact, PARIS WHEN IT SIZZLES, is a film within a film. And this film is all over the place.
William Holden is Richard Benson, a screenwriter (playboy, drunk: his attributes are endless) who has been hired by Alexander Myerheim (Noel Coward). Benson, however, has been living it up in Paris for months. Two days before the script is due Gabrielle (Hepburn), a temporary secretary, shows up at Benson's hotel room to help him dish out a hundred and thirty eight page script. We see their disastrous effort play before our eyes and it's wonderfully funny.
PARIS WHEN IT SIZZLES doesn't hold your attention too much but it's probably because it's all just a bit too much to believe. But Holden's and Hepburn's performances are fantastic. In the film within the film they look static and amateurish, but when you think up a film in your head, you're not exactly getting a Rembrandt. Critics at the time criticized the film, but Benson is writing a script in two days, he's not going to dish out the best dialogue.To sum up the film: "It's an action/suspense, uh, romantic melodrama with lots of comedy, of course. And, uh, deep down underneath, a substrata of social comment."
Look for cameos from Marlene Dietrich, Mel Ferrer (Audrey's then husband), Frank Sinatra, and an uncredited role by Tony Curtis, or second policeman.

I thought this movie incredibly perfect for today, as it is Bastille Day, and our events take place on July 14.

As chilling a compliment as I've ever received,
LW

Please Excuse The Women

2011-07-12T20:58:00.003-05:00

THE WOMEN

Released: September 1, 1939
Directed: George Cukor
Starring: Norma Shearer, Joan Crawford, Rosalind Russell

This film is the ultimate cat fight. At the time, THE WOMEN, was rather revolutionary. I mean there really weren't films starring only women (and I mean only) and aimed specifically towards the female audience. There are 130 female roles, and even the animals shown are girls. There are absolutely no depiction of the male sex even though the movie is all about men.
Shearer is sweet Mary Haines. Her husband, Stephen Haines, is stepping out on her with a money hungry shop girl (Crawford). In the mix is Rosalind Russell, a terrible, terrible friend, Reno, divorces, L'Amour, and witty banter, literal fights, and gorgeous women fighting over, with, or about their men.
It has taken me nearly two years to watch this film, mainly because every time I put in my tape, someone comes and kicks me out. This time I prevailed and got past the first twelve minutes. It was not exactly what I expected, mainly because I can't believe women are such terrible creatures, but let's face it, we are. It really is a delightful film by the fantastic George Cukor. It stars nearly every women available from the MGM lot at the time bar two: Greta Garbo and Myrna Loy. And the funny thing is, for the longest time I thought Loy was in this picture. A really well made film but only for those willing to see how terrible women are. Don't think it's all fighting and bitching. Lots of laughs along the way. Also, depending on which copy you see, the fashion show is in Technicolor. It throws you off, but it's nice to see the outfits in their original state.

No pride at all,
LW

I'd Rather Go West

2011-07-10T17:59:00.003-05:00

GO WEST

Released: September 1, 1925
Directed: Buster Keaton
Starring: Buster Keaton

Anyone who knows me is quite aware that I am positively in love with Buster Keaton. So anything made by him is first class gold in my book. But I won't let that bias my opinion (maybe).

SOME PEOPLE TRAVEL THROUGH LIFE MAKING FRIENDS WHERE EVER THEY GO, WHILE OTHERS - JUST TRAVEL THROUGH LIFE.

And thus begins GO WEST. Buster Keaton is Friendless, a friendless and hopeless, young man. Having been kicked out of his small Indiana town (metaphorically of course), he heads east, only to relocate west as the city was far too much for him. He gets a job as a cowpoke and chaos ensues.
GO WEST is not one of Buster's better feature films but it has a good few laughs and you never quite know where it's gonna go. Brown Eye's is Buster's leading lady, and let me say, they are beautiful together. As any Keaton film, it's wonderfully shot with a lot of nice jokes, but not all riotous. Let's just say, you feel for the guy. Not his best but still a Buster film. If it were funnier or the plot a bit more it would definitively be grade A. As Buster is dressed as a cowboy for most of it, (and in a wonderful costume in the end) it's a wonder I didn't swoon as I watched. My favorite gag is the gun gag. Look out for it. It's superb.

Do you need any cowboys today?
LW

Not Our Mister Roberts

2011-07-09T12:14:00.003-05:00

MISTER ROBERTS

Released: July 30, 1955
Directed: John Ford, Mervyn LeRoy
Starring: Henry Fonda, James Cagney, William Powell, Jack Lemmon

Henry Fonda is Mister Roberts, Cagney the tyrant of a captain, Powell, in his last film role, is the 'Doc', and Lemmon is Ensign Pulver, the lazy junior officer that shares his cabin with Fonda. MISTER ROBERTS is quite a realistic look at the Navy. It has its laughs, but it also strikes a cord deep in everyone who's ever had to deal with tyrannical, arrogant, people. Cagney is just plain awful (in the good way), Powell is the wise old man, and Roberts is the glue that holds the ship together.
It's nearing the end of WWII and Roberts wants to be transferred from the cargo ship to the 'action.' He constantly tries to get transferred via letters, but Captain Morton always rejects them. The two blatantly hate each other. But it is plain to see that Roberts is what keeps the ship together.
Jack Lemmon won best supporting actor for his role as Pulver, which he so justly deserves.
Definitively a must see film. Great actors, great story, and a wonderful insight at the men who didn't fight, but helped us win the war.

What's all this crud about no movie tonight?
LW

I've Got That Funny Feeling

2011-07-07T20:17:00.004-05:00

THAT FUNNY FEELING

Released: August 25,1965
Directed: Richard Thorpe
Starring: Sandra Dee, Bobby Darin, Donald O'Connor

So I'll admit it. I only watched this film for O'Connor but I actually kind of enjoyed this flick. It's a little bit of conservative (well it's not like HEAD) 1960's fluff. It has a predictable plot and only a few really laugh out loud moments.
Dee plays Joan Howell, a pretty young maid who meets Tom Milford (Darin, Dee's then real life husband) and rather than have him drop her off at her dumpy apartment, she has him drop her off at his apartment. Milford, of course, is terribly confused and goes along with the gag for quite some time. Donald O'Connor adds most of the humour but Dee and Darin get their share. A good example would be Darin's phone booth scene (he's in the phone booth in only his underwear and some old women are accusing him of stealing a dime), and Dee's interactions with the bartenders and pawn shop owner.
An average story makes for an average film. If you're looking to see O'Connor, he's not much in it. But just the same, a good background film or something to watch when you can't go to sleep. It offers humour and the general romantic comedy mush.

Fairweather friend,
LW

Don't Lose Your Head

2011-07-06T11:07:00.002-05:00

HEAD

Released: November 6, 1968
Directed: Bob Rafelson
Starring: Peter Tork, Davy Jones, Micky Dolenz, Michael Nesmith

First off, this is a Monkees film. If you don't know who the Monkees are, I don't know why any one would want to be your friend. That said...
HEAD is not for the queasy, epileptic, or plot focused movie goers. It is an 85 minute romp filled with tiny stories, songs, and our favorite, neighborhood Monkees. The first few minutes are rather serious and leave you wondering where this flick is leading. Less than a minute and a half in, a soldier makes a face while saluting. That's the only hint that this film isn't all there. That, and the fact that the mayor doesn't know how to work a microphone. This is soon followed by Micky jumping off the bridge with the other fellas close behind.
And thus begins the psychedelic music, colors, and short stories. Every Monkee has at least one little story or 'adventure' to themselves. They each have at least one song to their name. There are cameos by a handful of stars, including, but not limited to: Toni Basil, Frank Zappa, and Victor Mature. The theatrical release was shortened from the 110 minutes to the 85 we have now, and I can't help but wonder what genius was cut out of this film.

As a huge fan of The Monkees (and being very open minded as well as being well versed in hippie/60's culture), I give this film two thumbs up and a very loud round of applause. I love it that much. It's pointless, kind of like their show; the music is fantasmic; Mike Nesmith was never sexier; the 'Daddy's Song' dance sequence is far out; and it's very satirical. They poke fun at film genres, actors, business, advertising, and even themselves. There's a bunch of war footage, which is tied in with the music or skits. Of course, not all Monkee fans like this film, but it has amassed a cult following of which I am a member.

For everyone else who wants a movie with substance, thou hast been warned. This isn't a movie to be watched under the influence of any drug or caffeine. You can easily skip through it to listen to the music or watch little tidbits, such as Micky in the desert, or the dandruff commercial. Except now that I told you these things, you might skip the movie entirely. But don't.

If anything, buy the movie soundtrack which is out of this world. I love Circle Sky, but then again, I'm madly in love with Mike Nesmith. I'm sure you know how I feel about ELEPHANT PARTS. Some of this has probably gone over your head, but that's alright. I'm used to it.

Quiet, isn't it?
LW

My Man Godfrey Had Six Kids

2011-07-05T18:41:00.004-05:00

MY MAN GODFREY

Released: September 17, 1936
Directed: Gregory La Cava
Starring: William Powell, Carole Lombard

MY MAN GODFREY illustrates almost perfectly the cause of the Great Depression. Of course, only those looking for it will find it. This screwball comedy is filled with so much humour and great acting that you won't bother answering history questions.
Irene Bullock (Lombard) is a scatterbrained, blonde socialite who finds a 'forgotten man' (Powell) and makes him her family butler. Her older sister, played by Gail Patrick, is a stuck up, spoiled brat who's out to get our Godfrey. Their brainless mother, her ape impersonating protege, and a grouchy dad make for amusing characters and help you understand the importance of Godfrey to the Bullock family.
This is a true gem among gems. A must see for the true lovers of Golden Era films or just a casual observer. Then again, I'm kind of biased. I have mad love for William Powell and his little mustache. Carole Lombard is perhaps the queen of screwball comedies, and she's brilliant as ditzy Irene. This movie was made three years after Lombard and Powell divorced, and Powell stated that he thought the Godfrey/Irene relationship was much like their own. It's a nice insight. Also, see if you can spot a young Jane Wyman as a socialite.

It'll all be over in a minute,
LW

Der Bingle Double Feature

2011-07-03T18:43:00.003-05:00

WAIKIKI WEDDING

Released: March 23, 1937
Directed: Frank Tuttle
Starring: Bing Crosby, Bob Burns, Martha Raye, Shirley Ross

Bing Crosby plays Tony Marvin, a PR for the Imperial Pineapple Co. in Hawaii. His leading lady is Shirley Ross with comic relief provided by Martha Raye and Bob Burns. The movie is light on plot but thick on music and some laughs. Martha Raye provides most of the comedy, but she's a bit too dumb and her mouth too wide for my liking. It's a good film to see Hawaiian culture (or Hollywood's version of it) at the time. The songs are good, but the film is highly predictable. Crosby and Ross lack chemistry and their romance seems very forced. Not for casual watchers. To be honest, this one should be reserved for the truly dedicated. Look for a young Anthony Quinn as Komo.

DOUBLE OR NOTHING

Released: September 17, 1937
Directed: Theodore Reed
Starring: Bing Crosby, Martha Raye

This film is much better than WAIKIKI WEDDING, in that it actually has a plot. Following the death of an eccentric millionaire, his lawyers drop wallets on the streets of New York, as a provision of his will, and offers those who return the wallet a deal. Whomever can double 5,000 dollars within a month, gets his estate. Bing is one of those contestants as is Martha Raye (surprise, surprise). You might also notice a young William Frawley (Fred in I Love Lucy) and Andy Devine (known for his role as 'Cookie', sidekick to Roy Rogers). This film is much better in that we follow the excursions of these characters, rather than another crooning Bing movie. Not a bad flick if it's on TV, but you wouldn't go around looking for it hopelessly as I tend to do with certain actors who shalt not be named. Great supporting actors and an actual story to pull things together. There's a 'sing' band, genuinely funny antics, and shadow puppetry.

Crooning away,
LW

The Curse of Easy Living

2011-07-02T11:45:00.003-05:00

EASY LIVING

Released: July 7, 1937
Directed: Mitchell Leisen
Starring: Jean Arthur, Edward Arnold, Ray Milland

This screwball comedy should not be confused with the 1949 film of the same name. This EASY LIVING is much funnier. Trust me.
EASY LIVING stars Jean Arthur, Edward Arnold, and Ray Milland. I love this movie because it has one of my two favorite stars: Arthur and Milland.
Jean just came off a huge hit (Mr. Deeds Goes to Town) the year before and her next three films paired her with James Stewart and Cary Grant.Thus far her career has been pretty successful, and you can tell she's having a lot of fun with this film.
Jean Arthur plays Mary Smith, a career girl who has a fur coat fall into her lap: literally. J.B. Ball (Arnold), who sees her trying to find the owner, gives it to her, offers her a ride in his car, and buys her a new hat, which was damaged when the coat fell on her. This one good deed leads to Mary Smith being taken for Ball's mistress, and that's where the trouble starts. Everyone wants to house her, buy her things, sell things to her, and ask her to ask Ball about the stock exchange. Add to the mix, the handsome and charming Johnny Ball Jr. (Milland) and you've got a wonderfully delightful screwball comedy.

To be honest, I've always loved this film. Ray Milland is as handsome as ever and Jean is at her best. It's a good escapist film and makes me wish the third richest banker in America would give me a fur coat. I'd yell at him for killing an animal for their fur, but still. You get to see great chemistry between Arthur and Milland, Arnold falling all over himself, and the murder of a pig(gy bank).

A sight for an eyesore,
LW

The Girl Can't Help It.... Or Can She?

2011-07-01T19:31:00.004-05:00

THE GIRL CAN'T HELP IT

Released: December 1, 1956
Directed: Frank Tashlin
Starring: Tom Ewell, Jayne Mansfield, Edmond O'Brien

Originally a satire about teenagers and rock n' roll music, and even poking fun at gangster films, THE GIRL CAN'T HELP IT, has become the most cherished movie about rock n' roll music. It showcases performances by Little Richard, Fats Domino, Julie London, Eddie Cochran, Eddie Fontaine, etc, etc, etc.
So what's this flick about? Well Tom Ewell (the adorably mousy looking actor) plays a press agent turned alcoholic. He's called up by Mary "Fats" Murdock (O'Brien) to turn his frightfully attractive girlfriend (Mansfield) into a singing star. Because according to Fats: He "can't marry a nobody."

I rewatched it last night and I remembered how much I like it. One of the great things about this movie is the performances done by the singers. The movie really is a celebration of rock n' roll and the pioneers who paved the way for future music. It's also great to see Jayne Mansfield in her first starring role. Jayne Mansfield, the woman, is very similar to Georgiana/Jerri. She's only seen as a dumb blonde, but really she has a brain and able to make decisions and care for herself and others.
The movie intended to be a sex vehicle for Mansfield as well as a satire which it is. There are several close ups of Mansfield's... assets, but I find it a bit satirical in itself. Fats is a down and out gangster which pokes fun at once proud gangsters and the lifestyle they lead.
All in all, I recommend this film to everyone. It's a great classic and THE rock n' roll movie. It's also nice to see the reaction American culture had on rock n' roll, and vice versa.

I just can't help it,
LW

Gee Whiz!

2011-03-07T11:28:00.000-06:00

Golly, it's been a while. Well let's see...a list!

Top Five Plays

1. Arsenic and Old Lace: Alright so there is a Cary Grant film version, which is enough to suade any true fan. However, before I ever fell in love with Cary Grant, I saw my sister in this play. She played Abigail. I was very little at the time, but I found it wonderfully funny and outrageous. I've read the play since, and it is pure brilliance. The characters are very kooky and the plot, outrageous. If you can't go see the play, at least read it or watch the movie.
2. Arcadia: This brings me right back to my freshman year with Miss Bennett. She was so passionate about this play that I suppose I became so as well. I saw the play, and although it was not as well done as I would have liked, it is a riveting read and you get alot of information. Very smart. And unless you know what they're talking about, it'll go right over your head.
3. Pygmalion: Every one knows My Fair Lady, but I much prefer the original Pygmalion. This is one of those plays that were in my English textbooks but were never read or discussed. Eliza Doolittle is much more real and so is Professor Higgins. It isn't all squibbled (that is now a word) and romanticized.
4. The Importance of Being Earnest: Come on. It's Oscar Wilde. There is confusion of identity which I love. It is also very tongue in cheek and very funny. I don't think it needs more explaining.
5. Twelfth Night: Another identity confusion. Bad grammar: I know. I think it's one of Shakespeare's funnier plays, and the characters are so strong: especially the women.

Honorable Mentions:
For Colored Girls/When the Rainbow is Enuf: Very sad. Very beautiful. It's a poem play, which is different and very appropriate for the content.
By the Skin of Our Teeth: A story of survival. Plus, in the first act, there is a baby dinosaur and mammoth. Enough said.
Oedipus Rex: Saw the play, which is wonderful. Also, this guys has a lot of problems. Nice to see someone with more than myself.

Cordially,
LW

Golly!

2011-01-23T18:08:00.000-06:00

I gave you the best actors, not the best actresses. I have little love for female actors. They just don't get to me like male ones do, so this is a top 5.
1. Katherine Hepburn: She's beautiful, tough, and she did some wonderful films with Cary Grant (I can always squeeze him into a conversation) Besides that, she bounced back from being box office poison to box offiice awesomeness.
2. Audrey Hepburn: Another Hepburn? They're not related but they are both wonderful. Audrey is so warm and funny and nice. She was truly beautiful without ever really being vain. A true beauty.
3. Ginger Rogers: Most people know her as Fred Astaire's dancing partner, but she was so much more than that. She was a wonderful actress, dancer, and singer. Favorite film: The Major and The Minor.
4. Jean Arthur: She probably isn't as well known as some actresses, but she played tough independent women. Also, I find her voice heavenly.
5. Myrna Loy: She did wonderful films with William Powell. Plus she just seems like a really nice person. Her other films, however, are just as riveting.

Honorable Mentions:
Barbara Stanwyck: She's funny and tough. She can play serious roles or not. She really sold me in Ball of Fire. Lady Eve, Double Indemnity, and Christmas in Connecticut also sold me.
Lauren Bacall: She's so different from other leading ladies. Her face, her voice...she's a unique talent.

If only Glamorous,
LW

Say It Ain't So

2011-01-22T21:57:00.000-06:00

The best Actors of all time. A sort of top 5-10.
1. Cary Grant: What is not to love about this beautiful man? His birthday recently passed and there was definitely a marathon. He's so handsome, funny, witty, and just everything a woman wants in a man. His walk, his talk, his way of being. As Cary Grant once said, "Everyone wants to be Cary Grant. Even I want to be Cary Grant."
2. James Stewart: He's like the boy next door. The charming, tall, and handsome boy next door. He, like Cary, has a very distinguished voice. He portrayed idolistic young men and rough and tough cowboys. He's wonderful.
3. Buster Keaton: Some people prefer Chaplin, but I absolutely adore Buster Keaton. He was an actor, a director, a producer, a genius. He came from a family of vaudeville. Houdini is said to have given him his nickname: Buster. Buster was funnier and more talented than any other actor of his time. It's a shame that his visual genius was shot dead more or less after 1928. Not that he was murdered, just that he might as well have been, the way all his talent went to waste. Chaplin may have gotten the fame and glory, but Keaton deserved it more.
4. Frank Sinatra: Ol' Blue Eyes is a pretty good actor. He sings and he even dances. In his earlier films he was the shy, incompetent fellow. But as he got older, it changed. He's a real stinger, he is.
5. Bing Crosby: Two crooners on one list? I can't handle it. Bing was such a sweetheart and a wonderful singer. He could act too! Imagine that. A real swell guy.
6. Gene Kelly: Watching this man dance is just heaven. I really can't believe what a glorious dancer he is. I also think he's a swell singer and actor. One of my favorite dances? The one where he taps in skates in It's Always Fair Weather.
7. Van Johnson: Another under appreciated actor. A singer, an ok dancer, and a wonderful actor. Van has an awesome name, plus he's been in some terrific films.
8. William Powell: I know! How is he not higher up on this list? I adore William Powell. He is beautiful in my eyes. Some don't think so, but I do. He's frightfully witty and funny and he just acts your socks off. Plus there's no other teaming I love more so than Powell and Loy. Beautiful.
9. Tony Curtis: In Some Like it Hot he does a Cary Grant impersonation. I mean, come on! Besides that, he's a really great actor.
10. Jack Lemmon: There's something about Jack Lemmon I cannot resist. He's funny. And he's real. He's an ordinary guy. It's just...brilliant.

Honorary Mentions:
Donald O'Connor: Most people only know Donald from Singin' In the Rain. But he's so much more. His film career wasn't as great as it should have been due to his restrictive contract. He's funny, has curly hair, and can dance and sing. Plus he portrayed (albeit in a completely fictionalized version the his life) Buster Keaton in a The Buster Keaton Story. (I would put him in the list, but it's only top ten. Otherwise this list would be ridiculously long.)
Humphrey Bogart: His life was cut too short, but Bogart made noir and crime films wonderful. He was really a great guy with a savory voice.
Peter Sellers: He's British. I love everything that goes with it. Funny guy who can somehow pass for an Indian.
Gary Cooper: Have you looked at this guy? He's so awkward and wonderfully dorky. That's what I see anyway. He played tough in some movies and shy in others. For me, he's the shy cowboy with a heart of gold. That sounds something like "The Cowboy and the Lady"....
Ray Milland: I think I fall in love with these actors mainly because of their voices and Ray Milland is no exception. Plus he's Welsh...

Most of these fellows (if not all) are usually in funny films. I'm not a serious film type. And yes, they're all old. But I love old films. The only time where beauty was real and dreams seemed like they could come true.

Rooting and Hoping,
LW

Mostly Harmless

2011-01-03T19:08:00.000-06:00

I took it upon myself to read all five Hitchhiker books. They were, of course, fantastic.
It's novels like these that really make my day. Week. Life. Etc. What isn't there to love about scifi? It's the collection of improbability and imagination doing wonderful things.
What I love best about the Hitchhiker "trilogy" is that it is so beautifully British. Let's face it, the British are brilliant. Their dry sense of humour and love for tea is unparalleled.
Top SciFi shows/movies/whatever are as follows:
1. Doctor Who - I recently discovered Doctor Who but I honestly cannot live without it. I have seen every episode and love each doctor for each of their own quirks. I only have this to say: I hate Rose. She needs to die and replaced with a better companion. That's my only complaint, thank you very much.
2. Star Wars - I love the original Star Wars trilogy. The other stuff is more or less rubbish. I only watched the newer ones for Ewan McGregor. I never read any books because there are an infinite amount of them and I wouldn't know where to start. Nevertheless I am completely obsessed. My Darth Vader statue agrees with me. (Update: I was flailing my arms, like I usually do when I talk about something fantastic and broke Darth's lightsaber. I am terribly depressed.)
3. Quantum Leap - Don't be surprised if you've never heard of it. It's a bit of a history/scifi show. Kind of like Doctor Who, but without aliens. There is also the question of god and his existence, blah blah blah. That's a tangent for another post. Anyway...Scott Bakula is brilliant, as is Dean Stockwell. but mainly terribly attractive Scott Bakula. Scott is recently gaining some 'street cred' so right on for Scott.
4. The Hitchhiker's Guide to the Galaxy - Douglas Adams is brilliant. The BBC version was rather great. I thought Ford Prefect was wonderful. I would prefer that Ford, paired with Martin Freeman as Arthur Dent from the newer Hollywood Hitchhiker film. The novels are superbly written with just enough wit and biting humour to please any half cultured ape descendant.
5. Red Dwarf - This show is fantasmic! I watched the entire nine series in a little over a week about a month ago. It is funny, witty, and just...fantasmic. I absolutely fell in love Arnold Rimmer, despite how much of a smeg head he is. I, in fact, now use smeg in daily conversation. Of course no one knows what the smeg I'm talking about. Oh well.
6. Back to the Future - Ok. so part of me loves this trilogy because I love Michael J. Fox. The other geeky time travel loving side is obsessed with these films. The first one is great, the second is alright, and then the third wraps it up w/ a swift kick in the head of pure radness. I usually am not a fan of second films in trilogies so don't yell at me. I know the lines to all three movies by heart. (so I also know them for the Star Wars films and most Cary Grant films but we're not talking about Star Wars or Cary Grant.) It's another time travel film (you see a theme emerging? kind of?) but its brilliant. MJF is at his best as is Christopher Lloyd.
7. Eureka - I was pulled into this show one summer (the same summer I discovered Psych, but a whole other story) and decided it was brilliant. This past season has upset me terribly. I hate how they're in a new dimension (or w/e). I want Jo and Zane to be together. Also, Kevin makes me very angry. For part of the show he's literally missing. No one mentions him, we don't see him. Then BAM! he's there, several years older and several shades lighter. Also, what ever happened to Henry hating Jack for letting Kim die. And also where did Henry's assistant, Spencer, go? It's all very fishy...
8. Spaceballs - Mel Brooks is a genius, whether he's poking fun at Star Wars and other space movies or cowboy films. (see Blazing Saddles). I have seen nearly all of Brook's films. I just can't help but love his satire. Spaceballs is a delight b/c I get most, if not all of the jokes. Plus, its in space.
9. Earth Girls Are Easy - A rather unknown 80's film. It stars a young Jim Carrey and a very sexy Jeff Goldblum. It's funny. There are fuzzy aliens who happen to look strangely human-like when cleaned up. I'm also a fan of Geena Davis. I think she's beautiful and an underrated actress.
10. Tron - Computers! I saw this film and fell in love. The technology for the time is off the charts. Plus I'm sure I'm not the only one who imagines that there are tiny people in their computer. It really just clicked for me.

Movies that I want to see but haven't: Blade Runner (love Harrison Ford but don't want to see the happy ending version, plus I just never got around to it), Bill and Ted's Excellent Adventure (Update: I've seen it, and the sequel. Adventure, of course, is so much better but they're not awesome enough to make the list).)

Also, hate star trek. and planet of the apes.

Movies in theatres that I have to see include Tron Legacy, Paul (how could i not?), the new Fright night film (david tennant, plus this is a film i don't mind being remade), and Cowboys and Aliens (i love cowboys and aliens. plus harrison ford. how can i resist?)

There may be more lists of awesomeness. It's great fun to rant like this.

Smeg Off,
LW